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Friday the 13th Magyar cím (Korhatár): Friday the 13th (12E) Friday the 13th Eredeti cím: Friday the 13th Friday the 13th Műfaj: Horror Játékidő / Technikai információ: – perc Friday the 13th Mozipremier : 2 June 19 8 5 Friday the 13th Forgatókönyvíró: Tom Savini, Tom Savini, Tom Savini, Julie Hughes, Barry Moss, Harry Manfredini, Sean S. Cunningham, Sean S. Cunningham, Victor Miller, Barry Abrams Friday the 13th Filmstúdió: Georgetown Productions Inc., Sean S. Cunningham Films, Paramount Friday the 13th szereplők : Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Jeannine Taylor, Kevin Bacon, Mark Nelson, Robbi Morgan, Peter Brouwer, Rex Everhart
Friday the 13th online film teljes streaming 4k hd magyarul 1980 Friday the 13th 1980 Teljes Film Online Magyarul Camp counselors are stalked and murdered by an unknown assailant while trying to reopen a summer camp that was the site of a child's drowning. Friday the 13th streaming film online teljes hd Friday the 13th 1980 review Clearly, the team behind “Friday the 13th” expected at least to make a reasonable profit out of it, but I seriously doubt that anyone involved in the making of this film even considered the possibility of it becoming the cult classic that it is today. Victor Miller, who wrote the story, openly admitted that he was riding off the success of Halloween (1978). The late actress Betsy Palmer even claimed that, after reading the script, she thought the story was trash (well… she actually used another word), but she took the job because she needed a new car. Little did she know when she took the role that her character would immortalize her as one of the biggest horror icons of all times.
Yes, it is evident that Victor Miller and Don Mancini capitalized on the success of Halloween (1978), but the truth is that “Friday the 13th” manages to stand out on its own, and in the end, other than being two slasher films about a killer who prowls around murdering teenagers; these two films don’t really have that much in common. To this day, John Carpenter’s “Halloween” is considered a more “serious” horror film (for the lack of a better word), while “Friday the 13th” remains a classic, but is still seen as a less underappreciated respectable flick. Why? Probably because, even though I absolutely love it, I will admit that “Friday the 13th” certainly has a campy nature (no pun intended). In my case, I don’t mind the campiness, I actually enjoy it.
In “Friday the 13th”, the story begins in 1958, in a summer camp named Camp Crystal Lake. We see two young camp counselors who are about to have sex, when someone appears out of nowhere and murders them both. We don’t get to see who the killer is, since the murders are shown in a point-of-view shot, and the reason behind the murders is not yet explained either. The story then jumps to 1980 and it focuses on Alice, a young and sensible girl who, along with other kids of her age, is hired as a counselor by a man who attempts to reopen Camp Crystal Lake. Unfortunately, someone doesn’t seem too thrilled about the reopening of the place, which will lead to a series of gruesome murders. Could it be the same person who killed those two counselors back in 1958? In the end, it is Alice who will have to come face to face with the killer and fight for her own life.
*Spoilers ahead*
Plot-wise, “Friday the 13th” may not be too remarkable, but it doesn’t really need to be either. I could be wrong, but I believe this film first introduced the formula that consists on: a summer camp as a scenario, a pinch of mystery, plentiful gore, creative deaths and a gratifying reveal towards the last minutes. Just like this film attempted to ride off the success of a previous slasher, ironically, “Friday the 13th” itself ended up generating a bunch of (arguably) inferior clones as well. Of course, commercial success doesn’t necessarily imply quality, but I do think “Friday the 13th” has a certain something that makes it appealing to a lot of people.
For the most part, the characters in this film seem somewhat generic and one dimensional, which is a common attribute in slasher films. There really isn’t much of a character development, and we don’t get to know them very well. Most of the victims are young boys and girls who seem to be in the camp to have a good time themselves, rather than working hard to make the children happy. Surely, these characters don’t really deserve to die for being immature and silly, but at the same time, it is hard to feel too bad for them either. However, the first character that gets killed after the time-jump seems genuinely sweet and caring, so one obviously feels bad for her when she is brutally murdered, just for being naïve enough to trust a stranger. I think this death after the time-jump was a perfect move, because it sets the tone perfectly for what is going to happen later: a bunch of innocent young people will be brutally murdered without having done anything to deserve it.
The acting in “Friday the 13th” is mostly plain or, in some cases, over the top, which, along with the silly dialogs and lines, provides the film with an enjoyable campy nature. The late Betsy Palmer, who played the role of Mrs. Pamela Voorhees, was nominated for a Razzie Award, and while I love the character of Mrs. Voorhees and I felt bad to hear about Palmer’s passing, I can understand why she was nominated. It’s true, Betsy’s portrayal of Jason’s mother is over the top and it can appear as unintentionally funny during her delivery of some of her lines, but at the same time, I’m not sure if I can imagine the character being played differently at this point. Then we have Crazy Ralph, literally jumping out of a closet, telling the kids to leave, because they’re doomed and that Camp Crystal Lake has a death curse. This character, aside from being called “Crazy” Ralph, (in case anyone didn’t notice that he was crazy in the first place), is perhaps one of the campiest characters in the slasher subgenre, which earned him an iconic place in the franchise and even a small part in the first sequel.
“Friday the 13th” offers a nice variety of gory murders, with Tom Savini in charge of the makeup effects, which is an undeniable seal of quality. The legendary “axe in the face” death scene is perhaps one of the most memorable parts of the film for many fans. In this scene, Sean Cunningham and Tom Savini not only offer a morbidly satisfying and shocking on-screen death, we also get a lot of tension and suspense preceding the murder, which creates a feeling of panic and desperation.
The final confrontation between Alice, our final girl, and Mrs. Voorhees, Jason’s vengeful mother is really extensive for a good cause, as it helps to build a lot of tension that culminates with a gruesome murder. To some extent, when Mrs. Voorhees suddenly appears out of nowhere and begins to tell the story of what happened to that “poor boy”, it is easy to assume that she is responsible for the carnage, or at least, that she is involved to a certain degree. Up until this point, we had never seen her before throughout the entire film, so why is she popping out now? There are no other supporting characters left to blame for the murders and Mrs. Voorhees shows up the exact moment when things got really ugly? What could she be doing at Camp Crystal Lake in the middle of the night, other than murdering boys and girls? Of course, our final girl, even though she is not unintelligent, seems to be somewhat oblivious of what is really happening and this is what makes up want to scream “Get out of there!”. Mrs. Voorhees is basically explaining the whole story to the audience, but at the same time, she is subtly revealing herself as the killer, before going into a weird trance, in which she starts talking as if she is possessed by Jason, her own son, who drowned at the lake (I always considered this like a switched version of Norman Bates and his mother).
As mentioned before, the acting in this final confrontation is not exactly brilliant and the audience ends up getting more than they probably needed to understand the story, since Mrs. Voorhees’ monologue basically goes into detail of what happened, just to make sure we get it right (just like when they make sure that we understand that Ralph is a crazy old man, by calling him “Crazy Ralph”). Regardless of the over the top acting and the spoon-feeding to the audience, the confrontation is full of tension, and it is still considered one of the most memorable “killer reveal” moments in the history of horror for a good reason. Some films benefit with time, maturing and holding a nostalgic charm. Others rot like a bad apple, like _Friday the 13th_. Perhaps I had to be alive in 1980 to actually appreciate this one, but it is really not as groundbreaking as some people like to think it is, rather another spin on films like _Psycho_ and _Halloween_, minus the budget. And the acting. Certainly not the first slasher movie, but arguably the most influential.
This original film stands alongside _Part V: A New Beginning_ as the only two movies in a 12 film long franchise where they play the killer as a mystery, I think that premise would wear thin had they tried it every go around, but here it is executed, if not masterfully, at least to the film's benefit. _Friday the 13th_ is a movie I'll watch at least once a year, ever since I first saw it in the early 2000s. Maybe it's not the best movie ever, or even the best slasher movie ever, Hell, maybe it's not even the best Friday the 13th movie ever, but the fact that I'm not sick of it yet has to count for something.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._ ***The beginning of the most successful slasher franchise***
Released in May, 1980, "Friday the 13th" was produced in the wake of the success of 1978's "Halloween" and also shares elements of 1976' "Carrie." The story revolves around a cursed summer vacation spot, Camp Crystal Lake, New Jersey, and the slayings of young camp counselors. Critics slammed the film and I'm not sure why since it's in the same league as the acclaimed "Carrie" and "Halloween." Regardless, it was hugely popular at the box office, making far more than any of the sequels until "Freddy vs. Jason" in 2003. As of this writing there are 12 movies in the franchise and another in the works, making it the most successful slasher series and one of the most successful franchises of any genre.
I'm not a gorehound at all and only occasionally watch slasher flicks, but I'm a huge fan of the "Friday the 13th" franchise. Why? It has nothing to do with nostalgia since I didn't become a fan until I was well into adulthood when I saw 1985's "Friday the 13th Part V: A New Beginning" on TV one night. I think I like these movies because they typically involve young adults in a fun camp-type environment in the woods, which naturally stirs fond youthful memories (not that I'm that old); the presence of a lunatic unstoppable killer, who becomes more and more of a hideous monster, just adds an air of danger and suspense to the dramedy and adventure. Add scores of gorgeous females and various filming locations around North America and you have a fabulously entertaining franchise that has yet to end.
Speaking of the women, this first movie is highlighted by Annie (Robbi Morgan), Alice (Adrienne King) and Marcie (Jeannine Taylor) with honorable mention to Brenda and Claudette, the latter from the opening 1958 segment. As far as dudes go, a youthful Kevin Bacon is on hand as one of the counselors.
As for the filming locations, this one was shot in the remote townships of Hardwick, Blairstown & Hope, New Jersey. It's interesting how none of the films were shot at the same location even though, typically, the location in the story is Camp Crystal Lake and that general vicinity. Other locations include Connecticut (II & IX), California (III, IV, V), Georgia (VI), Alabama (VII), British Columbia (VIII & XI), New York City (VIII), Toronto (X & XI) and Texas (XII).
It's the camp-like settings of most of the franchise and the unstoppable monster that is Jason Voorhees (and the demonic thing that possesses him, his mother and others, as disclosed in 1993’s “Jason Goes to Hell”) that especially sets "Friday the 13th" apart from similar franchises.
Concerning the tone, the first two films are serious in nature with the expected antics of youths on vacation in the woods, but the franchise introduced a campy element in Part III, which rears its head in several entries (V, VI, IX and X) until the reboot in 2009. Not that I'm complaining much, as these films are only quasi-believable anyway. Speaking of which, the only thing questionable about this first film, as far as realism goes, is how the killer is able to throw an adult corpse through a window or hang a body from a door, etc. But I suppose these things can be attributed to the powerful psycho Voorhees gene (or the hellish entity that possesses them).
Many people find these films scary and shocking and the first two movies have some slightly chilling aspects, some of the others as well, I guess, but, with the exception of the 2009 reboot, I don't usually find these movies particularly scary. They're sometimes creepy, sometimes suspenseful, sometimes exciting and always entertaining, but not scary (although there are numerous jump-scares, of course). In fact, I usually bust out laughing at the inevitable death scenes.
I give "Friday the 13th" a high rating because it IS an effective film in the oft-maligned slasher/horror genre, not to mention it’s iconic and kicked-off this amazingly successful franchise. No genre is beyond redemption if done right; and that's the case here.
The film runs 95 minutes.
GRADE: A-
Seems only fitting to watch this today and still holds up really well and Betsy Palmer was really creepy. Have to think a newer generation of teens or those in their early 20s probably would find this mild compared with other horror movies, but I kind of like the simplicity of the story and kills.
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...Somehow still less dumb than _Halloween 6_.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._ _**Serviceable, but pedestrian and comic booky entry**_
Several college youths agree to be part of a reality TV show where they stay in the dilapidated Myers’ residence in Haddonfield, Illinois. Unbeknownst to them, Michael is still alive and has returned to his home town after stopping by the asylum to visit Laurie (Jamie Lee Curtis).
"Halloween Resurrection" (2002) is the seventh installment of the Michael Myers saga (not counting the unrelated “Season of the Witch”) and is the final film in the series until the remakes. It gets a lot of hate because of what happens in the opening act and the inclusion of Busta Rhymes, but it’s serviceable and definitely superior to the lousy “Halloween: The Curse of Michael Myers” (1995). It’s just kinda unimaginative and cartoonish with several bits being hackneyed or predictable by this point.
The feminine department includes Daisy McCrackin (Donna), Katee Sackhoff (Jen), Bianca Kajlich (Sara), and Tyra Banks (Nora). The beautiful women wandering around a rundown domicile and dying one-by-one is reminiscent of “Death Tunnel” (2005) but without the amazing cinematic artistry (even though it cost $11.5 million MORE), not to mention “Death Tunnel” has better women.
"Halloween 4" (1988) is easily the most entertaining of the original series, followed by "Halloween 5" (1989) and “H20” (1998).
The movie runs 1 hour, 34 minutes and was shot mostly in the Vancouver, British Columbia, area with the Hillcrest Academy sequence done at Silver Lake, Los Angeles.
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Alien: Covenant online magyarul videa előzetes uhd dvd 2017 Bound for a remote planet on the far side of the galaxy, the crew of the colony ship 'Covenant' discovers what is thought to be an uncharted paradise, but is actually a dark, dangerous world—which has a sole inhabitant: the 'synthetic', David, survivor of the doomed Prometheus expedition. Miért a legtöbb ember rossz nézni Alien: Covenant? Könnyen methode nézni Alien: Covenant teljes film online ingyen. Ez az oldal a legjobb hely nézni Alien: Covenant interneten. Folyamatosan frissítjük listája teljes hosszúságú filmeket.
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Alien: Covenant Magyar cím (Korhatár): Alien: Covenant (12E) Alien: Covenant Eredeti cím: Alien: Covenant Alien: Covenant Műfaj: Horror, Science Fiction, Mystery Játékidő / Technikai információ: – perc Alien: Covenant Mozipremier : 6 November 19 9 8 Alien: Covenant Forgatókönyvíró: Dariusz Wolski, Ridley Scott, Ridley Scott, David Giler, John Logan, Janty Yates, Pietro Scalia, Walter Hill, Dan O'Bannon, Ronald Shusett Alien: Covenant Filmstúdió: Scott Free Productions, Brandywine Productions, TSG Entertainment, 20th Century Fox Alien: Covenant szereplők : Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demián Bichir, Carmen Ejogo, Jussie Smollett, Callie Hernandez, Amy Seimetz, Nathaniel Dean
Alien: Covenant videa film letöltés 2017 néz online hd Alien: Covenant 2017 Teljes Film Online Magyarul Bound for a remote planet on the far side of the galaxy, the crew of the colony ship 'Covenant' discovers what is thought to be an uncharted paradise, but is actually a dark, dangerous world—which has a sole inhabitant: the 'synthetic', David, survivor of the doomed Prometheus expedition. Alien: Covenant streaming film online teljes hd Alien: Covenant 2017 review "At times a thrilling, stomach-churning journey, but one that leaves those on board wondering if the disorientation and down time was worth the investment..."
Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/8/alien-covenant.html Alien Covenant marks the third Alien movie directed by Ridley Scott and the second prequel to the franchise after Prometheus. They also seem to be getting worse with age.
Prometheus was really a lot of questions searching for answers, ambitious in asking not only about the creation of alien life, but human life as well. However the plan to stretch out these topics into 3 or 4 movies should be met with some skepticism.
Especially considering the basis for this was started by Damon Lindeloff, the creator of Lost and the man most of us are still waiting for answers for most of the things that happened on Lost.
He of course has abandoned this second movie, leaving it in the hands of the far more capable John Logan, but even he struggles to find meaning here, or escape the clichés that have started to grow like a Xenomorph in John Hurt's stomach.
We're dealing with a whole new crew this time; the Covenant. They are headed on a colonial mission to another planet before an electric shock takes out the ship, the Captain, and 47 other members.
Reluctant to get back into their pods for a 7 year journey, the on board crew responsible for the ship's upkeep decide instead to answer a distress transmission coming from another planet.
That's where they find what continues to be the best character in these prequels; Michael Fassbender's David the Android. His motivations and whether he considers himself human or God is constantly in question and Fassbender's soft-spoken performance continues to haunt.
I also really do consider Prometheus to be one of the most gorgeous-looking special films of the last decade and this continues that- from the Covenant ship to the grain fields and other vegetation eerily covering the mostly desolate other terrain of the planet.
We also get the first look at the Neo-morph, who is born the same way, seems a bit faster than the Xeno-morph but the main differences are it doesn't have the Venus fly trap tongue and it can stand like a human. Pretty cool.
Just it's at this point I should probably say that after Aliens there started to be less reason to want these. Alien 3 was fine, Prometheus I thought could really go either way depending on the sequels, and Alien 4 of course was garbage.
The biggest problem here is that it feels so redundant. We get a distress call, the crew investigates, some background characters do stupid things leading to impregnation, someone says "we never should have come", final alien chase.
The aliens, when you can see them, are cool, but there is a lot of downtime between them, and a few quality kills does not a 200 million dollar mega blockbuster make.
It's also really odd that Prometheus does this whole thing of setting up the engineers as the creators of human beings but here they only get one scene and let's just say those looking for more info about them will get angry.
The promise of some larger conversation is in here somewhere but these movies feel so stretched out at this point that when this does get to the few moments of actually having something to say, it's hard to get re-engaged.
The characters don't help either as most just come off like archetypes. Katherine Waterston is the Captain's widow and really the bargain basement Ellen Ripley here.
Billy Crudup plays the faith-based character, and like the last movie, this movie seems to be including that without ever really giving it value in the meaning of life conversation.
But at least those two have some background. I'm so tired of most of these others. The ones who just go tramping through the woods of an unknown planet or show the decision making skills of the Trump administration. You're not supposed to make us root for the alien, guys.
Finally i'm no closer to understanding why these movies are necessary. It's easy to tell what this movie wants to do and it's even easier to see the twist coming a half hour before it even comes.
There are a few nice kills here, I will give the movie that. If you can remember to wake yourself every time Fassbender and Fassbender (he also plays an android named Walter) have a philosophy conversation, you might find some interesting stuff there too. But overall not enough action or thought to make this overly drawn out series seem necessary.
So I go 5/10. For more reviews, check me out on Youtube here- https://www.youtube.com/channel/UCY_IvAm1bJADConJhDCuq6A
I had a few reservations going in to _Alien: Covenant_. In my opinion there hasn't been a truly great entry to the franchise since _Aliens_, so I was worried that the statistics were against it. I thought _Prometheus_ was incredible from a technical standpoint, but not a very engaging movie, and I was worried we might get the same here. The trailers had been mostly good but I was worried I had seen too much of the third act in them, and I was worried this would spoil the experience for me a little.
What I was not worried about was within ten minutes of the damn thing starting I would think to myself: "Wow, this movie is really poorly made."
Well I guess I'm an idiot because that is exactly what happened. And that feeling never entirely abated over the course of the whole thing.
Don't get me wrong, it's no "_AVP: Requiem_", but I was still very disappointed.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._ **Limps along under the weight of its own importance.**
I love my films dripping with self importance and this one is definitely one of them. I can't get enough of these films that positively bubble over with a high handed, serious and arrogant attitude that indicates that there is no film quite as important as this one.
This film knows it all. It knows everything that we- the lowly, pathetic and simple minded audience do not know and could not ever possibly know because we are not intelligent enough to grasp anything, you see?
For such an authoritative, superior and intelligent film - I find it odd that every character stumbles around like a simple minded cretin making unwise decision after unwise decision.
Ridley and his scriptwriters seem to think that they are intellectuals but somehow they just _can't pull off_ the role of **being** an intellectual.
- Simon Quinlank I agree with most of the negative comments about this movie.It is a gigantic missed opportunity.My biggest issue apart from the utter predictability and nonsensical,inept script,was the disappointment of seeing 'Prometheus' mixed up with 'Alien' Alien covenant gets locked up in its own self importance while forgetting why we loved 'Alien' in the first place.I really wanted to like it but came a way with a huge sense of disappointment Not sure about all the bad reviews, I enjoyed the movie. I'm guessing because I wasn't expecting it to be particularly cerebral. Its a sci-fi/horror flick, I was looking forward to Sir Ridley Scott coming up with new and disgusting ways to terrorize the cast and I wasn't disappointed. Of course, the android going rogue was pretty obvious, but if the Star Wars franchise can feature a planet destroying space station in 3 of 7 movies, I'll give Sir Ridley a pass. If you are looking for the loose ends from Prometheus to be tied up, I suggest you include Sir Ridley in your prayers so he can survive long enough (the man is friggin 80) to film the prequel to _Covenant_ currently titled _Awakening_ that will hopefully meet your expectations. Watched Alien: Covenant a 3rd time. It is a lot better than first meets the eye. The drastic difference from what we were expecting in direction from Prometheus threw all of us off. We had expectations of what we would get to see and we didn't get those. There is so much detail and such good acting. It takes multiple watches to pick up on it all. It blends the styles of Alien, Aliens, and Prometheus all together and does it very well. There is also a lot of subtle reference to Terminator 2. The dynamic between the androids Walter and David and the acting that went into that is something quite special. In that alone is a reference to T:2. My first 2 watches I didn't appreciate the android Walter like the character deserves. I was biased against his character in light of the android David. The android Walter and how he was portrayed also blends the style of android we see in Aliens. The actor's voice and demeanor reflect that of the android Bishop and gives us a bridge to his design. Michael Fassbender really did one hell of a job acting those two parts of Walter and David. Near the end of the movie there is another nod to T:2 as a beam is clearly marked as such and the scene that follows has a strong T:2/Aliens sequence and taste in styling to it. Through and through the acting is very good. Details are abound everywhere. There are a few points of rather convenient plots however overall the film is now among my favorites right along side Aliens and T:2. Even the monkeys stood upright at some point.
Hee! Ridley Scott, it seems, is damned if he does and damned if he doesn't as regards the Alien franchise he so gloriously kick-started back in 1979. Prometheus was too cerebral for many and definitely bogged down by expectation levels. Not without flaws of course, but a very tidy science fiction piece it be. So we roll on to Alien Covenant, which while not universally reviled, has certainly garnered some fearful scorn in Alien franchise fan circles.
Alien Covenant is a cover version, no two ways about it, it's a retread of what was showcased in 1979, only with the tie-in to Prometheus and a continuation to the origins of Xenomorph and pals. Clearly we have a case of Scott making one for the fans, a return to chest busting goo and space adventurers under great duress, all of course while he fills in the blanks as well. For sure it's lazy when put up against Alien, and indeed against his other superlative sci- fi offerings such as Blade Runner and The Martian, but for those who lambasted Prometheus for its non Alien conventions, you have now got what you hankered for. Any expectation of this turning out to be a fresh masterpiece was always going to be crushed, so really it's best viewed as a loving retread. Yes! Bad science, plot and logic holes, average acting etc, these rightly don't deserve forgiveness, but it's hardly the devil's spawn here, in fact its's great fun as much as being a visual treat.
Log cabin on the lake.
We start with a prologue involving Weyland and David, the conversation involving creation, the most pertinent of which being the question of the ages, where do we come from? Then after a tantalising tinkle of the ivories for Wagner's "The Entry Of The Gods Into Valhalla", we are whisked into outer space 2104 to be in the company of the Colonisation Vessel Covenant. Crew 15 - Colonists 2000 - Embryos 1140. The destination is ORIGAE - 6, ETA in 7 years and 4 months. Only Walter the Android (Michael Fassbender) is awake, until it's time for the crew to be abruptly awakened from their hyper sleep...
Crusoe and the pathogen.
From the off disaster strikes, thrusting the crew into emotional strife. Characters are introduced, conversations and traits establishing the bare minimum that we need to know, then a ghost transmission is received from Sector 87, planet number 4, and off we go into familiar territory. Things inevitably go from bad to worse and the action, blood flow and creature feature conventions are all laid out for our digestion. There's some surprises in store, with Fassbender a double bonus, and there's some striking chatter ranging from if there's benefits of the human race? and even that involving the poets Byron and Shelley.
Bed Bugs.
Who will survive? If anyone? Just what does the finale have in store? As we get devilish answers, and the barn storming aural pleasures of the full orchestral version of "The Entry Of The Gods Into Valhalla", it's tied up nicely and the pulse rate can settle. Job done. No bar raising here, no film to push the space lander out into new dimensions, just a good honest sci-fi thriller to be viewed with that in mind. 7/10 **Good robot! Bad robot!**
After some gaps, the 'Alien' franchise came alive with the prequel 'Prometheum' which originally said to be a spin-off. Particularly, it landed in the hands of the original maker. Now, even the original title back in action. It's another prequel, hence the prequel series on the making. The next film too will be the same kind, before the overall storyline in the franchise align in a straight line.
I enjoyed it. But not as good as 'Prometheum' or the first two 'Alien' films. The issue with it was, the same old cliché. There's nothing in the story. It was like any space film that's set in a similar fashion. The 80 per cent of the film was what we had seen in the earlier 'Alien' films. Just altered scenes with a new cast and a great visuals. So the update makes it the special.
The story focused too much on the robot. The alien parts were reduced. Because it was like the first appearance of the original aliens we saw in the old films. Precisely to say, the origins. Genetic modification, crossbreeding, there comes the beast. From this film what I have learnt was, it was nothing but more or less the same old fear the humans have about that the robots which are the ones going to make humans go extinct. Except here the aliens come between them. Hence, falling prey to the same clichéd theme from any sci-fi that had humanoid.
Nevertheless, well maintained film in its balance coming from previous hits in the series and going forward to bring more hits. This flick would serve as a fine bridge between them. So only 18 years to go between this, from 2104 to 2122. I'm already anticipating the next film. As I have heard, that film would be focused more on the robot. That's going to be a different experience. Fassbender's time to have some space adventures.
_7/10_ I paid to see the movie, just to see what all the hype was about. It's a mess, of course, from David going Nazi and practicing genocide, to the mindless violence of "an earthworm impaled on a hook to catch fish," to space idiots/children who aren't smart enough to be hall monitors. I had wondered why some folk considered the first three "Alien" movies Canon and NOT the current set. I'm with the "three and done" crowd, this movie is a Hollyweird popcorm flick. "Do not watch this movie. God complexes and stupidity abound. Stay away if you value your peace of mind." (Repeating acoustic beacon) Though Michael Fassbender did a sublime job and the movie itself was visually immersive, the actions of the main characters did not seem very smart. I could forgive the decision that the newly installed captain Oram (Billy Crudup) took about going to the unknown planet. But everything that happened after David cut his hair exactly the same way Walter head just makes you shake your head in amusement and think ‘Oh, come on!’. David, obsessed with the act of creation that had value in its end, uses any means available. It is remarkable that no one from the remaining crew has questioned imposter Walters’s identity and just carried on like the worst was left behind. Meanwhile, the last scene when Daniels (Katherine Waterston) realizes (finally!) that Walter is, in fact, David and she had totally screwed up with the thousands of colonizers and embryos on the ship… does give you slight goosebumps. I would hate to be in the shoes of a filmmaker that needs to please a rabid fan base. The "Star Wars" sequels are a perfect example of this. Ridley Scott has the same challenge with the "Alien" prequels which you see in user scores.
I loved "Prometheus" with its attempt at something bigger than just more face huggers and xenomorphs wreaking havoc. It was clear he was building a grander story to the eventual bridge to the original "Alien."
He continues that bigger story with "Alien: Covenant" and whether he meant to provide fan service or not, we get that with face huggers and xenomorphs. (No spoiler as both are in the trailers.)
Do yourself a favor and watch the short clip "Last Supper" (youtu.be/EkXgRlRao5I ) before you watch the movie. At only five minutes, it gives a better introduction of the Covenant crew than the movie does providing deeper emotional investment in these characters.
Ultimately "Alien Covenant" delivers an excellent, fast-paced sci-fi action horror thriller (yes, it hits that many genres) like only Ridley Scott can that continues exploring the "Prometheus" theme of creation.
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Siblings Darius and Trish are driving home from college through rural America. They have a brief run in on the road with the driver of a beat up van, later on, on the road side, they observe weird goings-on from the driver of said van, an observation that puts both of them in immense danger.
Jeepers Creepers tips its hat off to the creepy horror movies that were all the rage in the 70s and early 80s, boasting genuine suspense and characters fully formed, Jeepers Creepers is something of a refreshing antidote to the ream of horror movies available that line up teenagers purely to be slasher fodder. Lifting it just above average is the fact that our two sibling protagonists have viable discussions before venturing into the realm of horror staple requirements, although the picture is "B" movie in substance, it does however attempt to be credible in its story telling.
Sadly though, after a wonderfully edgy first half, the picture drops down in standard, the introduction of "The Creeper" may well be a necessity, but it shifts the film to such a degree, it rapidly loses its creepy momentum. Not that the second half of the film is a disaster, far from it, it's got a scary fun vibe to it, it's just that it promises so much, but ultimately runs out of steam. Jeepers Creepers was successful enough to spawn inferior sequels, with the "Creeper" of the piece firmly entering the horror hall of fame, thus an argument for the film having done its job seems totally viable, it's just sad that it didn't stay on the side of edgy and become a horror classic. 6/10 Just OK. Justin Long is his usual quirky, excellent self. Gina Philips plays the sometimes right, sometimes wrong older sister. Won't be watching the other ones...
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