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2021. augusztus 28., szombat

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Halloween II Magyar cím (Korhatár): Halloween II (12E)
Halloween II Eredeti cím: Halloween II
Halloween II Műfaj: Horror, Thriller
Játékidő / Technikai információ: – perc
Halloween II Mozipremier : 2 November 19 4 5
Halloween II Forgatókönyvíró: Mark Goldblatt, Dean Cundey, Debra Hill, Debra Hill, Joseph Wolf, Dino De Laurentiis, Duncan Henderson, J. Michael Riva, John Carpenter, John Carpenter
Halloween II Filmstúdió: Universal Pictures, Dino De Laurentiis Company
Halloween II szereplők :
Jamie Lee Curtis, Donald Pleasence, Charles Cyphers, Jeffrey Kramer, Lance Guest, Pamela Susan Shoop, Ana Alicia, Nancy Stephens, Leo Rossi, Cliff Emmich

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2021. augusztus 25., szerda

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Twilight Magyar cím (Korhatár): Twilight (12E)
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Twilight Műfaj: Fantasy, Drama, Romance
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Twilight Forgatókönyvíró: Carter Burwell, Deborah Aquila, Karen Rosenfelt, Elliot Davis, Wyck Godfrey, Gene Serdena, Frank Gaeta, Frank Gaeta, Frank Gaeta, Catherine Harper
Twilight Filmstúdió: Summit Entertainment, Temple Hill Entertainment, Maverick Films, Imprint Entertainment, Goldcrest, Twilight Productions
Twilight szereplők :
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2021. augusztus 24., kedd

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The Lion King Műfaj: Adventure, Family, Animation
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The Lion King Mozipremier : 15 June 19 9 4
The Lion King Forgatókönyvíró: Hans Zimmer, Hans Zimmer, Jeff Nathanson, Sarah Halley Finn, Mark Livolsi, Jonathan Roberts, Caleb Deschanel, James Chinlund, Elton John, Jon Favreau
The Lion King Filmstúdió: Walt Disney Pictures, Fairview Entertainment
The Lion King szereplők :
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- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-lion-king-a-catastrophic-and-soulless-remake-of-a-disney-classic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

I don’t know how I should start, but I guess I’ll address something that people might ask: yes, it’s a SPOILER-FREE review. Why? Well, the story might follow the same essential plot points, and the characters might have similar narrative paths, but there are so many details that make this movie stand on its own. From tiny little improvements to moments of the original that wouldn’t make sense in a realistic environment to adjustments to character’s backstory, musical moments or other significant parts. With that said, I need to discuss the controversy surrounding this remake, but I won’t take longer than one paragraph.

People need to understand that these Disney’s remakes aren’t here to replace the originals. They’re here to honor them, and bring their stories and characters to this new century so that new generations can have an additional look at something they love, and 90s kids can remember why they love these films so much. Emphasis on the “additional” part of that sentence. Then, people also need to get their preferences right: would you want to watch a shot-for-shot remake or something entirely different? Or a blend of these two? If you don’t know what you want, you might be in danger of turning into a hypocrite if your speech goes from “I don’t want these copy-paste remakes” to “they changed that specific moment, why didn’t they keep it the same?” Just be clear on what you wish. If you simply don’t want Disney to do these remakes, then just don’t watch them. Don’t go online try to beat it to the ground with negative comments if you haven’t seen the movie. Moving on …

I love it. I absolutely love it. I cried the exact same 4 times as I did in the 1994’s original. My whole body got chills during the opening sequence, which is one of a few things I love more about the remake than in the original. It’s NOT a shot-for-shot remake! I don’t understand how so many critics are calling it so. Either people’s memory of the original faded or someone clearly didn’t watch the same film. I can write a whole review of 1000+ words just describing the new stuff. Of course, the story goes through the same iconic moments in the same way, and some dialogues are extensively repeated, which was something that I was hoping they developed more. Despite that, I still feel that the scripts have a different take on it from the voice actors, even James Earl Jones.

One proof would be that I cried on a scene that I never felt like it in the original. I don’t know if it was how it was shot (one of the various different angles that the remake provides of known scenes) or if the dialogue just has more impact this time around, but the point here is that this remake is NOT a cheap copy-paste. I always look forward to seeing what they come up with to solve or adjust some questions that the originals leave us with. Let me just write that Jeff Nathanson has some truly brilliant changes/additions. Remember people criticizing Scar’s look when the first teaser came out? With just ONE WORD, its entire physical shape, scar, and past are explained. One word. Imagine that. There are little elements like adding a word or a sentence here and there, and it makes so much more sense with the character or the story in question.

Speaking of Scar, Chiwetel Ejiofor is astonishing. Scar might be my favorite character of the remake. He’s more menacing and scarier, his voice is darker, and his arc is better explored. Jeremy Irons will always have that iconic voice associated with the character, but Ejiofor did a crazily good job in replacing him. However, if there’s one voice that I could never watch another actor do is Mufasa’s. I have no words to express how emotionally powerful James Earl Jones’ voice is. As soon as he says “Simba” in the reflection scene, my eyes drop waterfalls. His voice is an emotional trigger, let’s call it that. I love Timon (Billy Eichner) and Pumbaa (Seth Rogen) even more this time around. Their scenes are hilarious, and the characters’ relationship keeps being a standout. Oh, and if you were worried that the hula scene would never be as good let alone surpassed … You might need to rethink that. Also, I enjoyed the stretched last act (I found the original’s final battle too abrupt), and I would advise parents to be careful showing this remake to (very) young kids since the violence on display feels much more real (duh).

JD McCrary and Shahadi Wright-Joseph (young Nala) are amazing, and their voices are crystal clear while singing. Donald Glover and Beyoncé (adult Nala) are also terrific, and their voices are even better. The new music Spirit fits better in this remake than Speechless in Aladdin. Moving on to the music, it’s another aspect that I genuinely think the remake does better. Hans Zimmer proves that he can bring an old score of his back to life in a much more robust, epic, and passionate way. Every song feels more prominent, every soundtrack feels a lot more impactful and stronger. Be Prepared is the only one that goes through a significant change, and while it might sound a bit strange at first, I love it more each time I listen to it. It’s a score that will never be forgotten, and this remake just helped people remember how great it is. Oscar-winning score.

I left the best to last: the visuals. I can’t possibly describe how impressive and eyegasmic the CGI is. Animals talking was never an issue (people keep sharing GIFs or short clips and immediately started complaining that it looked awkward … a 30-seconds video without context watched on a laptop will never give you a hint of how the movie will actually be). Yes, the expressiveness of the original animation can’t be achieved, but going as far as saying that the film lacks soul or that the characters don’t emote is just inaccurate. You don’t need a PhD to understand that a lion with its ears down or up means different things. There are tiny little movements in the animals that are so complex that I’m still astounded how they were able to do it. If a bug flies near their faces, they flinch or move in such a characteristic way that I felt like I was truly watching real animals. Once again, Oscar-winning VFX.

I don’t really have major problems with it. Minor gripes with a few things, but the biggest one would be the lack of more uniqueness. There’s no element of surprise in regards to the story or the character’s decisions. We always know what’s coming, so we’re prepared (no pun intended) for anything they through at us because, well, we’ve seen it before (with the exception of one particular scene that made me jump out of my chair and I think not a single person will be able to avoid it). I find the “animals don’t emote” argument one of the biggest nitpicks in the history of cinema. It might be true that they lack the emotion of the original animation, but going as far as saying that they show absolutely no emotion is just hating for the sake of hate. Same goes for people criticizing the fact that Can You Feel the Love Tonight is sung during broad daylight … In the original, it isn’t nighttime as well.

Finally, I just want to address the “these remakes aren’t necessary / no one asked for these” discussion. No one asked for the 1994’s movie until it came out. People didn’t know they needed it. Seriously, everyone needs to realize that these remakes aren’t here to replace the originals. How many of you have watched The Lion King (1994) or showed it to someone in the past 10 years? How many times have you heard its score in the same period? I bet that most of the answers are simply “none”. That’s how important this remake is then! It makes you go back, it makes everyone remember how incredible the 1994’s film is, by keeping its essence while being able to stand on its own. Jon Favreau did a tremendous job, and I hope he gets recognized for it.

In the end, it doesn’t matter if the story is identical if we cry all the same. It doesn’t matter if we know what’s coming if we still feel nervous and worried about the characters. The Lion King (2019) is one of Disney’s best remakes so far, on par with The Jungle Book. Its VFX are game-changing, its score is more powerful and emotional than in the original, and the story carries the same heartfelt impact. James Earl Jones’ voice is everything. Timon and Pumbaa are even funnier. Ejiofor’s Scar is the best character in this remake. I have no flaws to point out, except that it follows the exact same path that the original’s story does. I wish it would be more distinct, but I can’t lie to myself, I love it deeply. One of 2019’s best movies. My #1 spot will be hard to decide… Go watch it! I can’t wait to see it again!

Rating: A
_Vulgar Display of Dour_

_Final rating:★½: - Boring/disappointing. Avoid where possible._
**Its not as bad as Cats or Star Wars 9.**

Disappointing and inconsistent. 2019 seems to be the year where the big movies were made to look good, but are in reality vapid and this is no exception.
This looks good mostly (except when Simba is a "teenager" and a lack of genitals means that the animals do not look really real), but everything else is below average. Also, the "real-ness" of the animals make some scenes way more scary for children.

The choices made in this are....strange.
-The voice casting is weird (some African sounding, some American, and others in between) - like there was no plan.
-Extra scenes and dialogue do not add to the movie and even lessen it when compared to its predecessor.
-The way the songs have been re-done/ recorded are just wrong and **this is the first Zimmer score that I have not liked** in....forever (it feels like he just phoned it in).
-And a baby warthog suddenly appears at the end near Pumba, but no mother...WTF?
There is still a plot though, so there's that... which means its better than the shambles that was Rise of Skywalker or Cats.

Yet another movie to forget.

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2021. augusztus 22., vasárnap

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2021. augusztus 21., szombat

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Endangered Species Magyar cím (Korhatár): Endangered Species (12E)
Endangered Species Eredeti cím: Endangered Species
Endangered Species Műfaj: Thriller, Action
Játékidő / Technikai információ: – perc
Endangered Species Mozipremier : 6 July 19 3 5
Endangered Species Forgatókönyvíró: Mona May, Andrew MacRitchie, Kwesi Dickson, Philip Winchester, Barry Brooker, M.J. Bassett, M.J. Bassett, M.J. Bassett, Jay Taylor, Scott Mann
Endangered Species Filmstúdió: Grindstone Entertainment Group, Hassell Free Production, The Electric Shadow Company, Blue Sky Films
Endangered Species szereplők :
Rebecca Romijn, Philip Winchester, Isabel Bassett, Michael Johnston, Chris Fisher, Jerry O'Connell, Brenda Ngeso, George Glenn Ouma, Aseem Sharma, Pritul Raithatha

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2021. augusztus 20., péntek

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Over the Moon online magyarul videa előzetes hd dvd 2020 In this animated musical, a girl builds a rocket ship and blasts off, hoping to meet a mythical moon goddess. Miért a legtöbb ember rossz nézni Over the Moon? Könnyen methode nézni Over the Moon teljes film online ingyen. Ez az oldal a legjobb hely nézni Over the Moon interneten. Folyamatosan frissítjük listája teljes hosszúságú filmeket.

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Over the Moon Magyar cím (Korhatár): Over the Moon (12E)
Over the Moon Eredeti cím: Over the Moon
Over the Moon Műfaj: Animation, Adventure, Family, Fantasy
Játékidő / Technikai információ: – perc
Over the Moon Mozipremier : 26 November 19 0 0
Over the Moon Forgatókönyvíró: Gary Rydstrom, John Kahrs, Edie Ichioka, Steven Price, Janet Yang, Audrey Wells, Lisa M. Poole, Alice Wu, Glen Keane, Glen Keane
Over the Moon Filmstúdió: Pearl Studio, Janet Yang Productions, Glen Keane Productions
Over the Moon szereplők :
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2021. augusztus 19., csütörtök

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Jurassic World online videa teljes 2015 Twenty-two years after the events of Jurassic Park, Isla Nublar now features a fully functioning dinosaur theme park, Jurassic World, as originally envisioned by John Hammond. Miért a legtöbb ember rossz nézni Jurassic World? Könnyen methode nézni Jurassic World teljes film online ingyen. Ez az oldal a legjobb hely nézni Jurassic World interneten. Folyamatosan frissítjük listája teljes hosszúságú filmeket.

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Jurassic World Magyar cím (Korhatár): Jurassic World (12E)
Jurassic World Eredeti cím: Jurassic World
Jurassic World Műfaj: Action, Adventure, Science Fiction, Thriller
Játékidő / Technikai információ: – perc
Jurassic World Mozipremier : 12 May 19 6 7
Jurassic World Forgatókönyvíró: Steven Spielberg, John Papsidera, Frank Marshall, John Schwartzman, Christopher Boyes, Gary Rydstrom, Ronald R. Reiss, Martin Klebba, April Ferry, Michael Crichton
Jurassic World Filmstúdió: Amblin Entertainment, Legendary Pictures, Universal Pictures, DENTSU, The Kennedy/Marshall Company
Jurassic World szereplők :
Chris Pratt, Bryce Dallas Howard, Ty Simpkins, Nick Robinson, Vincent D'Onofrio, BD Wong, Omar Sy, Jake Johnson, Irrfan Khan, Judy Greer

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néz Jurassic World online filmek teljes streaming uhd magyar subs videa 2015 Jurassic World 2015 Teljes Film Online Magyarul Twenty-two years after the events of Jurassic Park, Isla Nublar now features a fully functioning dinosaur theme park, Jurassic World, as originally envisioned by John Hammond. Jurassic World streaming film online teljes hd Jurassic World 2015 review I was a huge fan of the original 3 movies, they were out when I was younger, and I grew up loving dinosaurs because of them. This movie was awesome, and I think it can stand as a testimonial piece towards the capabilities that Christopher Pratt has. He nailed it. The graphics were awesome, the supporting cast did great and the t rex saved the child in me. 10\5 stars, four thumbs up, and I hope that star wars episode VII doesn't disappoint,
Overall action packed movie... But there should be more puzzles in the climax... But I really love the movie.... Excellent...
I've never been a fan of this series. The only impressive thing of the original was the graphics that were, at the time, breathtaking. But we all know great graphics alone can't save a film.
I watched this new effort just to see how far CGI has come in the time since the original and I can safely say, not very far. From the opening scene with the terrible looking and poorly animated bird, it's obvious that CGI has reached its limits in recreating realistic content.
As for the film. The dreadful script and annoying characters helped me lose any interest after about 15 mins. Ok for the age range it's aimed at I suppose, but there are far better films out there worthy of your money.
Untamable Devil.

One thing that would be 100% guaranteed prior to the release of Jurassic World, is that whatever the quality, or lack of, the notices would be mixed. Thus the reactions would be akin to those that "Indiana Jones 4" received, charges of ruining childhoods and franchises etc.

Jurassic World does exactly what is expected of it, it's a popcorn blockbuster that plays out as mindless fun, complete with outstanding effects, monster mayhem and moments of dumbness. In fact it's very much a safe sequel, reverting to the original formula without the classy edges of Spielberg's deft touch.

There's a likable cast fronting up the pic, with Chris Pratt as the hero carrying some olde adventure chops about him, and Bryce Dallas Howard (her natural beauty sparkling on Blu-ray) a fun femme side-kick. The writers introduce a couple of new mighty monsters to the series, hell of beasties for sure, while the photography, stunt work and musical score all impress greatly.

The Velociraptor plot line is crummy and daft, almost as daft as Bryce's high heels character arc, and the familiarity factor does grate a little at times, but it's a rollicking good time not to be taken remotely seriously like it's some sort of series disgrace. 7/10
All in all this movie brought back the franchise that started out and captured the worlds attention. From the T-Rex chasing them down the road in there jeep to the velociraptors stalking them and picking them off one by one.

Jurassic World brought the franchise back to the state of reality. (If dinosaurs were real, this would be the set up for a park and containment of dinosaurs).

Chris Pratt did a great job on not only playing his part but looking it as well. Mis. Howard did ok. It seemed like she stumbled through most of her scenes and didn't bring key emotional expressions or reactions to the scene moments. But with her OCD and control issues played up against Mr. Pratt it brought the key relationship to tie the movie together.

This is a must see movie!
Not bad
Well choreographed action set-pieces. Good effects. Dinosaurs are magnificent.

Annoyingly cliched characters. Stupid story. I thought the idea of commercialism and ethics could have and should have been explored better. A character talks about never being able to match the first part which is true. Not sure if they were trying to be funny or just self-referentially depressing.

Chris Pratt was good. Everyone else was pointless.

No where near the first. I would even prefer to watch Jurassic Park 3 than this.

★★
**Jurassic World: A Jurassic Disappointment**

As a fan of the Jurassic Park franchise, especially the first movie, I am quite disappointed with Jurassic World. I was honestly super stoked for the long-awaited sequel to Jurassic Park, but in the end, the movie lacked the charm and mysticism from Jurassic Park. From poorly-developed characters (with the exception of Chris Pratt's Owen Grady) to idiotic plot elements, Jurassic World's only saving grace is the fact that it's a sequel to Jurassic Park.

The dinosaurs honestly look awful and pale in comparison to the dinosaurs in Jurassic Park. The CGI is so obvious and doesn't look realistic at all. Jurassic Park found the right balance of practical effects and computer-generated imagery, giving viewers the feeling that the dinosaurs feel so life-like. Jurassic World basically uses minimal practical effects in favor of CGI galore. It's sad that a 1993 movie has better CGI than a movie made in 2015.

Claire and her nephews Gray and Zach, are cheap imitations of John Hammond and his grandchildren Tim and Lex. Claire is primarily motivated by greed and exploiting the dinosaurs. Hoskins just wants to use the dinosaurs as military weapons. Dr. Henry Wu is a bit more antagonistic, revealed to be secretly creating hybrids for Hoskins as military weapons. The only character that's given some form of development is Owen Grady, played by Star-Lord a.k.a Chris Pratt. His motivations are for researching Velociraptor behavior and actually treats the dinosaurs like living creatures and not just exploited science experiments. Honestly the only redeeming factor throughout the entire movie.

The Indominus Rex tricks the personnel into thinking it's escaped confinement by clawing away at the top of its enclosure. They somehow believe the dinosaur escaped, but wouldn't security be alerted right away? The enclosure doesn't come equipped with bells and whistles? To much surprise (not), the Indominus is actually inside the enclosure with them. This idiotic plot choice allows the Indominus to escape.

Zack and Grey revisiting the original site of Jurassic Park brought back so many nostalgic memories of Jurassic Park. One of the best moments of the entire movie, absolutely loved when they picked up the Jurassic Park banner and the goggles used by Tim. But what killed the moment was when they managed to get the original Jeep started. It's been sitting for over 20 years, non-operational. But for plot convenience, they learned how to fix vehicles previously.

I thought the assault upon the park attendees by the pterosaurs was chilling, swooping up people in the process. Gave a sense of terror that you could actually feel. One of those people being Zara, Claire's assistant. She is attacked by a pteranodon and then eventually eaten alive by the mosasaurus. Her death was just way too drawn out and totally undeserving. A death like this should have been reserved for the villain.

The final battle between the Indominus Rex and Owen's pack of surviving Velociraptor brought me back to the battle between the T-Rex and raptors in Jurassic Park. Then Claire brings out the T-Rex, the very same one from Jurassic Park, and manages to outrun the T-Rex IN HEELS. I was rooting for the T-Rex to win, then the Mosasaurus swoops up and drags the Indominus into the lagoon.

Though this movie attempts to bring back the Jurassic Park charm, it ultimately fails to capture that same magic. Unlike The Force Awakens, another similar movie that calls back to its roots, Jurassic World managed to be much worse than its source material. You feel no true connection to the characters or dinosaurs, the excitement factor is gone, and the music is not memorable at all.

My Rating: 5.5/10.0
Most assuredly the best sequel to _Jurassic Park_, but it doesn't touch the original. "Not being as good as a different movie" is not what's bad about _Jurassic World_ though, what is though is the dropped plotlines, unlikeable characters, haphazard mixing of respect and disrespect for the original at random intervals, a **complete** lack of chemistry between any two characters whatsoever, but most of all the romantic leads, underdeveloped arcs of both characters and story, more Deus Ex Machinas than you can shake a stick at, and some of the most painful dialogue I've seen in a Hollywood flick all year.

But there's Bryce Dallas Howard proving (when given the chance) she's an acting force, which was a particularly pleasant surprise given that the last thing I saw her in was _Spider-Man 3_. Chris Pratt doesn't for a moment make you believe he is anyone other than Chris Pratt, but Chris Pratt is a pretty rad dude so that's more or less a chip in the film's favour.

It also has dinosaurs, so there's that.

_Final rating: ★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

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2021. augusztus 15., vasárnap

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A Quiet Place online videa néz teljes alcim magyar 2018 A family is forced to live in silence while hiding from creatures that hunt by sound. Miért a legtöbb ember rossz nézni A Quiet Place? Könnyen methode nézni A Quiet Place teljes film online ingyen. Ez az oldal a legjobb hely nézni A Quiet Place interneten. Folyamatosan frissítjük listája teljes hosszúságú filmeket.

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A Quiet Place Magyar cím (Korhatár): A Quiet Place (12E)
A Quiet Place Eredeti cím: A Quiet Place
A Quiet Place Műfaj: Horror, Drama, Science Fiction
Játékidő / Technikai információ: – perc
A Quiet Place Mozipremier : 28 November 19 8 8
A Quiet Place Forgatókönyvíró: Michael Bay, Marco Beltrami, Celia D. Costas, Christopher Tellefsen, Heather Loeffler, Jeffrey Beecroft, Jeffrey Beecroft, Roger Barton, Laura Rosenthal, John Krasinski
A Quiet Place Filmstúdió: Paramount, Platinum Dunes
A Quiet Place szereplők :
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A Quiet Place videa film letöltés 2018 néz online 4k A Quiet Place 2018 Teljes Film Online Magyarul A family is forced to live in silence while hiding from creatures that hunt by sound. A Quiet Place streaming film online teljes hd A Quiet Place 2018 review This review contains **spoilers**.
So let’s First get this out of The way I’ve never been more frustrated, by people eating popcorn, fidgeting, & Coming in late.

Anyways form the very start I had so many questions, how’d they get here? Where’d the Monster come from? Etc. And by the end I have no answers and even more questions. Are they gonna survive and kill all the Monsters? Is everyone else dead? Why’d they think to have a baby? But that doesn’t matter.

We’re just tossed into this situation with no explanation to almost anything. The only things we really know is of course making lond sounds means you’re likely gonna die. And High Pitch Sounds Hurts the Monster.

Wish is a smart Choice and come to think of it is kinda obvious, maybe a little too obvious. Like how’d they never think about that? Either way.

A quick note for surviving other then the soundproofing here and there. Why not have a sound bomb of sorts, you could just throw? That would have toldy saved the Dad from having to sacrifice him self.

That isn’t to say they’re stupid they had many Smart decisions such a The sand paths, the box for the baby (wish was kinda sad), the little sound proof room, the Radio, and the fireworks. And that’s just the sound related stuff the Lights and Fires Where also Smart.

Otherwise the cast give us some incredible performances and lots of good chemistry. It probably helps that John and Emily are a real couple. Speaking of wich John Krasinski has Written and Directed a very clever and suspenseful horror film. I’ve never been more scared of corn in my life. Also had jumped at water.

And the sound department specifically the Foley Artist have never shined greater in any film I have ever seen before. The sound is a way flipped from most horror films as it’s when the music drops and everything goes quiet that the Monster attacks. But not in this case everytime the Monster comes it’s a big moment.

Although I have nothing against a R rating. In fact I’m somethimes more likely to see a film because of a R rating, it shows they have gus and they are willing to take a risk. F*ck you MPAA!!!

Anyways some times all kinds of unnecessary crap is put in a Film because they like oh yeah we’re rated R. Although that’s not always needed this Film proves a well done PG-13 can still be dark and brutal. Killing a Child with in the first 10ish minuets, is a little dark. Although come on that kid had it Coming as soon as he grab those batteries. there’s almost a bit of blood maybe the MPAA is pulling back on some things. Probably not those F*ck you MPAA!!!

Ok sorry my review is getting to become rated R. 😆

Also I wanted to note for whatever reason I enjoy films where I can count the entire cast.

Along side Get Out it seems people form comedy make better Horror film Directors then most Horror film Directors. It definitely makes sense though it’s all about that timing.


In Short It was a gripping film from start to finish. I’d highly recommend to all Horror and Thriller Fans. Although because of spoilers in this review you probably already saw it.


So leave a comment and let’s discuss.

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**_No important spoilers here_**

In a **dystopic future**, the humanity has been severely smitten by strange blind creatures that feast on living flesh, both human and animal. In spite of being blind, the creatures have a super hearing and can identify sounds from far away. The creatures are nearly indestructible and very effective killers, and once they hear you, you are most likely dead.

The movie follows a surviving family trying to keep alive in this harsh reality. The movie setup is incredibly well-built to transpire the precaution, the constant fear, and the direful consequences of an unthought action in this terrible future. **The sound effects are awesome**, and the director can successfully use the nearly-constant silence in contrast to the hassle of being followed by those creatures.

The **acting is solid** and helps to immerse the watcher in the well-built plot.

My only regret for this movie is that it ends during a climax, when we are not ready to stop watching it yet. **It could be 30 minutes longer** to explain some missing points and to show what happens after the ending.

Overall, **an awesome movie**, well-thought and beautifully produced in every aspect.
Every time a horror movie does something that I've never seen before, that gets me very excited. _A Quiet Place_ is such a movie. I do believe that maybe _A Quiet Place_ doesn't **quite** deserve the praise that it has received. Not that it isn't a good movie, just that said acclaims have been **so** high, to the point that I think maybe just the fact that it's original isn't enough to earn those laurels.

I still am a fan of the movie, hardline, absolutely, just maybe a little underwhelmed given the reviews.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
This is far and away one of the best movies I have ever watched, and I've watched a lot of movies! The story is original, no small feat these days, and the acting is just outstanding! John Krasinski and Emily Blunt, along with the children, bring these characters to life, and make us really care, all without the benefit of well written dialogue. That's not easy to do, but they do it. Right from the start, you find yourself drawn into the lives of these people, and can feel the tension, the undercurrent of threat, that they live with every day. Through all they face, we are also given a picture of a solid family, with a dad and mom doing everything possible to care for their children, the family praying together, holding onto faith even under the most difficult of circumstances, and that family dynamic really strengthens the entire story. Who do you rely on when all is changed? When everything goes wrong? Family. Along with the acting, the direction, sets, just everything, come together to deliver a truly scary movie, that doesn't rely on flash to terrify you. Highly recommend this one. We saw it in the theater, and bought it as soon as it hit the stores. Top notch work.
This film is terrible. How this pathetic excuse for entertainment has any rating is a mystery. It's an insult to art of film making and to the people who love cinema. Nobody in their right mind would suggest watching this hole ridden, ham acted, utter nonsense themed non-story movie to anybody. Save yourself the hassle, trust me, it's bad.
_**Decent horror flick, but the family members make too many exasperating blunders**_

A family tries to survive on their farm in rural New York while blind indestructible creatures prowl the landscape. The creatures find prey based on sound so they have to be careful to be quiet at all times. Emily Blunt plays the pregnant mother and John Krasinski her husband (Krasinski also directs).

“A Quiet Place” (2018) is a well-made horror flick that brings to mind “Signs” (2002) with ferocious creatures that mix the xenomorphs of “Alien/Aliens” with the extraterrestrials of “War of the Worlds” (2005). They’re basically a knock-off of the monster in “Cloverfield” (2008), albeit the smaller size of the creatures in those previous flicks.

While this movie gets a lot of praise in some circles, the constant mistakes of the family members gets frustrating and tiresome. I love the tone, however, as well as Emily Blunt and the sumptuous Hudson River-area locations.

The film runs 1 hour, 30 minutes, and was shot in the state of New York, about 50-65 miles north of the Big Apple (Beacon, Pawling & New Paltz), except for Little Falls, which is another 110 miles northwest.

GRADE: C+/B-
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Ever since Jordan Peele shocked everyone with his feature directorial debut, Get Out, no one else questioned the potential that a well-known comedic actor could bring to the horror genre. Therefore, I vividly remember discovering that John Krasinski was directing, writing, and starring in a low-budget, original horror flick and feeling incredibly interested, to the point of considering it one of my most anticipated movies of the respective year. I absolutely adore the actor's memorable performance in The Office, but I never really saw anything worth noting from him after that show. Adding Emily Blunt (Sicario, Edge of Tomorrow) - her "slightly more famous" wife - was definitely an attention-grabbing move, especially when the young actors were still unknown at the time of release.

With the help of Bryan Woods and Scott Beck, Krasinski developed a screenplay based on a relatively simple yet highly impactful, imaginative premise. Creepy, scary monsters who hunt by sound isn't exactly a mind-blowing story aspect, but the extreme amount of tension and suspense transform a regular theater session into a nail-biting, nerve-wracking cinematic experience. Fortunately, the audience at my first screening was really invested in the film, which made for a truly unforgettable moment that I know some people didn't have due to disrespectful moviegoers. However, if there's one thing no one can take away from A Quiet Place is that it works just as well or better watching at home with the lights out in the silence of our own house.

Some viewers might look at this movie solely as an entertaining horror film with effective jumpscares, shock value, and cool monsters, which are all great attributes. However, the reason why everything works so well is indisputably due to the profoundly well-explored family. Thematically, parenthood and family love are subjects that Krasinski and his team of writers deeply expand upon, primarily through the father-daughter relationship. Being a parent is seen by many as a daunting task, filled with the inevitable fear of not being considered a good father or mother. Lee and Regan's (Millicent Simmonds) difficulties in understanding each other are not only remarkably relatable, but their bond also contributes to some of the most emotional scenes of the movie.

Lee and Evelyn only desire to keep their children safe, but when the world is packed with merciless creatures that kill if a pin drops, some details like having a deaf daughter certainly don't help their mission. They do, however, dial up the levels of tension and suspense to their maximum. Krasinski shows tremendous skill as the director by delivering excruciatingly suspenseful build-ups and exceptionally effective scares. His ability to drastically change the entire mood of a scene offers the viewers several genuinely captivating sequences. Horror-wise, there's plenty to enjoy. From creative atmospheric sequences to jaw-dropping, shocking plot points, A Quiet Place has something for everyone.

I've addressed Krasinski's work as both director and writer, but he also offers what I believe to be his career-best performance in a feature film. Both he and Emily Blunt perfectly capture the terrifying feeling of living in a post-apocalyptic environment. The protection of their children carries overwhelming despair of losing them to the visually distinct monsters, and both actors shine in their roles. However, my personal standout is Simmonds (Wonderstruck) and Noah Jupe (Honey Boy, Ford v Ferrari). Both were unknown young actors at the original release date, but they steal the spotlight from the big stars. Jupe proves that he has everything to become an Oscar-winner - the demand for him is exponentially rising - and Simmonds delivers one of the best performances I've ever seen from a real-life deaf actress, bringing a great deal of authenticity to her display.

All incorporate their characters seamlessly. The interactions between the adult and young actors feel as realistic and honest as possible, also due to the beautifully written screenplay. Technically, I must praise the phenomenal work done with such a low budget. All the way from the shooting location to the sound department, it truly feels like every single person had an essential role in the making of this movie. Not even the monsters are at fault, and there are a couple of close-ups that could have easily been awful, but the VFX artists really step up to the plate and deliver wonderfully horrific creatures. It's well-edited (Christopher Tellefsen), well-shot (Charlotte Bruus Christensen), and the score (Marco Beltrami) is employed just at the right moments.

I only have one major issue with the film. Story-wise, even though the audience is placed in a fictional world, it feels so real that it's hard to ignore a couple of logical questions regarding the fate of the rest of humanity. These nitpicks don't really bother me, but the ending of the movie still doesn't sit well with me after many viewings. Without spoiling it, of course, the very last shot feels like a cry to Hollywood to make a sequel, which I have to admit is somewhat disappointing. Finally, a film that doesn't belong to cinematic universes or titanic franchises focuses on telling an engaging story with characters worth investing our time on… all to end in a slightly out-of-character moment so more movies can be made?

A Quiet Place remains emotionally impactful, as well as incredibly suspenseful and tense, even after multiple viewings. Boasting a concept so unique yet so simple, John Krasinski and his fellow co-writers create a profoundly well-explored, character-driven horror story packed with relatable family issues and impressive performances across the board. Through justified shock value and surprisingly investing non-verbal dialogues, this film is one more piece of evidence that the best horror emerges from remarkable character building. The popular actor also proves to be a phenomenal director, generating extreme suspense quickly, drastically altering the entire atmosphere of a scene seamlessly. Technically, it genuinely feels like a low-budget flick where every single department has a noticeable impact on the final product, but the menacing, distinct-looking CGI monsters do steal the spotlight. Despite a few logical issues and an ending that feels more corporate than indie, my love for this movie continues intact. Hopefully, its sequel won't be a disappointment.

Rating: A-
**Works for a normal audience, not for critical thinkers**

Almost an 8/10 on a different, shabbier, online movie database with almost 14 hundred reviews at the point of this review written. The hype is distorting the ratings of this movie, like the script is distorting the physical laws of sound. A creature film should not be hard to make, and the producers here had the budget, the special effects and the actors to do something interesting. Unfortunately suspending disbelief is impossible when nothing makes sense and so many questions are left unanswered. How can a pitiful monster like that overthrow mankind? Where is the power coming from? Not a single sound trap in the whole film? Did she turn off the faucet eventually? The creatures can come and go inside the shelter without breaking anything down (which you would hear)? But the humans did not prepare silent exits in their home? What even happened? And there is no story. The creatures come, humans make some sounds, they don't even fight, end of movie. It's like watching a boxing match with one guy weighing double the other, then last round the same guy weighs only half the other. How cheap and boring, I want to scream the screenwriter in his moronic ear. Disappointing and anti-climatic.

27 June 2018

I am migrating my reviews from a different site which has become simply garbage. TMDB looks awesome and I look forward to be a part of it.

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The Shawshank Redemption online videa letöltés 4k 1994 Framed in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates -- including an older prisoner named Red -- for his integrity and unquenchable sense of hope. Miért a legtöbb ember rossz nézni The Shawshank Redemption? Könnyen methode nézni The Shawshank Redemption teljes film online ingyen. Ez az oldal a legjobb hely nézni The Shawshank Redemption interneten. Folyamatosan frissítjük listája teljes hosszúságú filmeket.

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The Shawshank Redemption Magyar cím (Korhatár): The Shawshank Redemption (12E)
The Shawshank Redemption Eredeti cím: The Shawshank Redemption
The Shawshank Redemption Műfaj: Drama, Crime
Játékidő / Technikai információ: – perc
The Shawshank Redemption Mozipremier : 22 November 19 9 4
The Shawshank Redemption Forgatókönyvíró: Thomas Newman, Thomas Newman, Roger Deakins, Peter Landsdown Smith, Stephen King, Stephen King, Deborah Aquila, Frank Darabont, Frank Darabont, Niki Marvin
The Shawshank Redemption Filmstúdió: Castle Rock Entertainment
The Shawshank Redemption szereplők :
Tim Robbins, Morgan Freeman, Bob Gunton, William Sadler, Clancy Brown, Gil Bellows, Mark Rolston, James Whitmore, Jeffrey DeMunn, Larry Brandenburg

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Some birds aren't meant to be caged.

The Shawshank Redemption is written and directed by Frank Darabont. It is an adaptation of the Stephen King novella Rita Hayworth and Shawshank Redemption. Starring Tim Robbins and Morgan Freeman, the film portrays the story of Andy Dufresne (Robbins), a banker who is sentenced to two life sentences at Shawshank State Prison for apparently murdering his wife and her lover. Andy finds it tough going but finds solace in the friendship he forms with fellow inmate Ellis "Red" Redding (Freeman). While things start to pick up when the warden finds Andy a prison job more befitting his talents as a banker. However, the arrival of another inmate is going to vastly change things for all of them.

There was no fanfare or bunting put out for the release of the film back in 94, with a title that didn't give much inkling to anyone about what it was about, and with Columbia Pictures unsure how to market it, Shawshank Redemption barely registered at the box office. However, come Academy Award time the film received several nominations, and although it won none, it stirred up interest in the film for its home entertainment release. The rest, as they say, is history. For the film finally found an audience that saw the film propelled to almost mythical proportions as an endearing modern day classic. Something that has delighted its fans, whilst simultaneously baffling its detractors. One thing is for sure, though, is that which ever side of the Shawshank fence you sit on, the film continues to gather new fans and simply will never go away or loose that mythical status.

It's possibly the simplicity of it all that sends some haters of the film into cinematic spasms. The implausible plot and an apparent sentimental edge that makes a nonsense of prison life, are but two chief complaints from those that dislike the film with a passion. Yet when characters are this richly drawn, and so movingly performed, it strikes me as churlish to do down a human drama that's dealing in hope, friendship and faith. The sentimental aspect is indeed there, but that acts as a counterpoint to the suffering, degradation and shattering of the soul involving our protagonist. Cosy prison life you say? No chance. The need for human connection is never more needed than during incarceration, surely? And given the quite terrific performances of Robbins (never better) & Freeman (sublimely making it easy), it's the easiest thing in the world to warm to Andy and Red.

Those in support aren't faring too bad either. Bob Gunton is coiled spring smarm as Warden Norton, James Whitmore is heart achingly great as the "Birdman Of Shawshank," Clancy Brown is menacing as antagonist Capt. Byron Hadley, William Sadler amusing as Heywood & Mark Rolston is impressively vile as Bogs Diamond. Then there's Roger Deakins' lush cinematography as the camera gracefully glides in and out of the prison offering almost ethereal hope to our characters (yes, they are ours). The music pings in conjunction with the emotional flow of the movie too. Thomas Newman's score is mostly piano based, dovetailing neatly with Andy's state of mind, while the excellently selected soundtrack ranges from the likes of Hank Williams to the gorgeous Le Nozze di Figaro by Mozart.

If you love Shawshank then it's a love that lasts a lifetime. Every viewing brings the same array of emotions - anger - revilement - happiness - sadness - inspiration and a warmth that can reduce the most hardened into misty eyed wonderment. Above all else, though, Shawshank offers hope - not just for characters in a movie - but for a better life and a better world for all of us. 10/10
Make way for the best film ever made people. **Make way.**
There is a reason why this movie is at the top of any popular list your will find.
Very strong performances from lead actors and a story line from the literary brilliance of Stephen King (and no, its not a horror).
Sufficient drama and depth to keep you interested and occupied without stupefying your brain. It is the movie that has something for everyone.
It's still puzzling to me why this movie exactly continues to appear in every single best-movies-of-all-time chart. There's a great story, perfect cast, and acting. It really moves me in times when I'm finding myself figuring out things with my annual tax routine reading this article, and accidentally catching myself wondering what my life should be if circumstances had changed so drastically. This movie worth a rewatch by all means, but yet, there's no unique vibe or something - there are thousands of other ones as good as this one.
I will not say that the film is predictable, because it is not quite so, due to the fact that we only know Andy’s intentions at the end, and during the film, it is important to understand that there was not a hint of it, but let's not forget our guys who so imprudently localized it. I will not be the first, but the word 'redemption' is translated as 'redemption'. I don’t know the reason why our localizers decided to spoil the impression to all Russian-speaking people.
First time seeing this in probably close to 20 years, maybe longer. Forgot how excellent of a movie this was, amazing all around from the performances, Morgan Freeman and Tim Robbins especially, with a roller coaster of emotions. The writing (from Stephen King's novel) direction from Frank Darabont was precise and just all around fantastic. This is the very rare 5 star movies I've given but it is easily one of the best movies, right up there in my book with The Godfather. **5.0/5**

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