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Soul Magyar cím (Korhatár): Soul (12E) Soul Eredeti cím: Soul Soul Műfaj: Animation, Comedy, Fantasy, Family Játékidő / Technikai információ: – perc Soul Mozipremier : 29 July 19 4 6 Soul Forgatókönyvíró: Trent Reznor, Ren Klyce, Ren Klyce, Ren Klyce, Bobby Podesta, Dee Selby, Steve Pilcher, Pete Docter, Pete Docter, Pete Docter Soul Filmstúdió: Walt Disney Pictures, Pixar Soul szereplők : Jamie Foxx, Tina Fey, Graham Norton, Rachel House, Alice Braga, Richard Ayoade, Phylicia Rashād, Donnell Rawlings, Ahmir-Khalib Thompson, Angela Bassett
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Out of my Top15: Most Anticipated Movies of 2020, eight were removed from this year's schedule due to the current global pandemic, so I didn't have that many films for which I felt incredibly excited. I love pretty much everything that Pixar puts out, and at the start of 2020, I noticed that the studio was releasing not one but two original animated movies, something quite uncommon in their history (only happened in 2015 and 2017). Onward was yet another success, but everyone knew Soul was the studio's big gun. December release date means better chances to win an Oscar, and the highly anticipated return of Pete Docter (Monsters Inc., Up, Inside Out) to the director and writer's chairs also elevates the film's expectations.
I'm no different. My expectations were high as the sky, but the main question in my mind wasn't really if Soul was going to be a great movie, but if it would be so good I'd love it more than Wolfwalkers, my favorite animated flick of the year so far? Well, let me write that it's a wonderful, beautiful, heartwarming tie. I love them both very much, and I wouldn't be surprised if I saw them in my Top10. However, this is Soul's spotlight, so let me get to it, and spit out the only minor issue I have with the film. During the first act, I couldn't feel a connection to the story nor the characters. It took me a while to really get fully invested in the narrative, and even technical aspects such as the animation style and the score (Trent Reznor, Atticus Ross) felt weirdly out-of-place and surprisingly not that enthralling.
Nevertheless, this slow, unconvincing beginning doesn't negatively impact the movie overall, as most of these apparently awkward components improve as time goes by. From the moment it clicked with me, I went on that emotional rollercoaster I always expect to ride in a Pixar feature. The studio is known for its extremely heartfelt, shocking, tear-inducing third acts, and even though Soul isn't an exception to that rule, it's far from being one of those mind-blowing, jaw-dropping, devastating final minutes. Its third act is astonishingly emotional, and it sends a lovely message to the audience, one that made me reflect on the entire year and a specific moment in my life.
Pete Docter, Mike Jones, and Kemp Powers explore the taboo subject of life's meaning in a predictable yet profound and entertaining manner. The approach on philosophical questions like "what's my purpose?", "what's my spark?", or "what does it mean to have a soul?" is cleverly developed and very well-written. There's a sequence with the protagonist near the end that will make tons of viewers experience it simultaneously. I found myself rewatching this scene in particular to help me remember a certain period in my life where I realized that what I thought was my destiny was, in fact, just one of those life passions that leave us with unforgettable memories.
I was able to deal with that moment pretty well, but many people lose themselves once they figure out that what they thought they were meant to do/be isn't really what the future holds for them. They become lost souls, and only a spark of life can revitalize them. Soul explores this matter in such an authentic, genuine, creative way that I couldn't help but cry as I do in every Pixar film. Watching Soul will make you appreciate life a lot more, especially those tiny, little moments that we forget to remember. Living, with all its horrible phases, is the best life experience anyone can have. After a year of isolation and separation from the people we love, this movie arrives at the perfect time.
Technically, the animation style and score didn't convince me in the first few minutes, but by the end, they're part of the key aspects that made me cry like a baby. Trent Reznor and Atticus Ross are starting to become two of my favorite composers (The Social Network, Gone Girl, Mank). Pete Docter proves that his undeniable talent behind the screen remains intact, and this time, he introduces Hollywood to the debutants Kemp Powers and Mike Jones. Jamie Foxx and Tina Fey (22) deliver some terrific voice work, so expect them to receive dozens of nominations. Finally, congratulations to every single artist that worked on this film's animation. These gifted people are the real stars of Pixar.
All in all, Soul is everything I expected it to be. A classic Pixar feature, with the trademark emotionally powerful third act; a heartwarming, sweet, tear-inducing score; and a relatable, profound, well-explored story about our own soul and the meaning of life. Pete Docter delivers another award-worthy flick with the help of Kemp Powers and Mike Jones, and with the outstanding voices of Jamie Foxx and Tina Fey. It may start slow and follow a predictable path, but it's only a matter of time until every viewer connects with the main characters. Soul surpasses the barriers of cinema, becoming a healing media from which people can take away so, so much. It works seamlessly as a reflection on life, and as a motivation to truly live every single moment of it. It's the ideal movie to watch on the morning of Christmas Day with the entire family cozy and warm in the living room. I promise you: it will make you enjoy this festive season a lot more. Undoubtedly, one of the best films of the year.
Rating: A This is my favorite Disney Pixar movie, even beating Monster's Inc!
There wasn't a minute where I wasn't enjoying the movie, there's very powerful meaning to this movie (that will go over kids' heads) and for once, it (in my opinion) tackles an issue big with teens and adults more than kids (at least more than usually).
The movie's message is (from what I understood it anyway) about anxiety, sadness, and fear of how you choose your life path. Even going as far as showing how you're so-called purpose in life may not even be correct (or real to begin with).
This is by the creators of Inside Out, which gave really good messages across about feelings. It was more kid-oriented, so Soul (in my opinion) being more about teens or adults was a surprise that I did not expect. I'm not saying this isn't a kids movie, I'm saying you shouldn't avoid it if you're not a kid.
It probably helps this movie that it's got it's messages across with Music as an instrument (get it?), as I too love music heavily including all kinds of genres (seriously, if you saw my YouTube music history you would think I'm somewhere between a 5-year-old girl, to a 101-year-old Beatles fan).
I seriously recommend giving this one a watch. In a year where most of us have been trapped indoors, the timing of 'Soul's' release can be seen as either a blessing or a curse. For some, it will act as a calming balm for a tough year; the perfect vehicle for inducing a good cry. Others, on the other hand, may reject it as yet another unnecessary mirror held up to their biggest fears exacerbated by a year where living with perceived “purpose“ has been near impossible. No matter which side of this you fall on, 'Soul' implores you to find beauty and gratitude in your circumstances. There is no doubt that is by far the best film Pixar has released in years - possibly even this decade. - Ashley Teresa
Read Ashley's full article... https://www.maketheswitch.com.au/article/review-soul-pixars-finest-work-in-years Soul is the latest effort by Disney Pixar, a beautiful and wonderful film that will leave anyone to ponder about life, its value and the magic inherent in existence.
The film tells the story of a man who accidentally falls into a ditch and "dies". However, he does not accept his death and begins a journey into his own afterlife until he is able to reunite with his body, in a coma on earth.
For a children's film, Soul is surprisingly deep, perhaps even too deep, especially for a child. The film touches on various existential themes, from purpose to the meaning of life, and will make us lose ourselves in thoughts about our own life.
The characters are a marvel, especially the protagonists, because they are complete with complex layers that give us all kinds of feelings. The voices that bring them to life do an excellent job in making all the emotions that pass through them appear.
When it comes to animation, once again Pixar exceeds itself and brings us a film that is a living work of art, each frame a beautiful picture of colours and movement that extends for two hours. It's really magical to see life on the small screen, the realism in some of the scenes will leave the audience really amazed.
The smaller ones, however, may not understand the complexity of the film, and I don't feel that this is exactly the most entertaining film that will make them pay attention in 100% of the scenes, much due to the fact that it is not necessarily as energetic as many of the most watched animated films in recent years. It is, however, a valuable lesson that is present in the film, and letting children try to understand it will be the right choice to make when viewing Soul.
All in all, this effort by Pixar is worthwhile, wonderful, beautiful and moving. The truth is, I found myself reevaluating my whole life and pondering the fact that time is money, because time is life. Really good watch, would watch again, and can recommend.
I'll have to admit, I went into this thinking it would be Disney's yearly racist progressive attempt, so the bar was pretty low.
The movie is actually delightful, and shockingly deep. The title indicates it has to do with the human soul, so I was expecting something along the lines of "Inside" or having to do with jazz, and while it has a rather nice combination of those two things, the attempt on the deep inner workings of the universe in the "inbetween" is incredible.
I imagine everyone will have their own interpretations of what the movie represents mechanically, but the story itself focuses on the pursuit of dreams and happiness combined with the experience of life.
The movie animation is fantastic and the voice actors are all top shelf. The story is awesome, and the characters are strong, deep, and interesting. I find it hard to believe that anyone would actually not like the movie.
The structure is a little basic for something so fantastical, but I think that's by design to keep appeal to most audiences that expect a general family Disney format. Pleasant film.
'Soul' didn't connect with me on any deep level, but it is an undoubtedly sweet film. It attempts a lot of heart and I respect that. Jamie Foxx has been in some of my favourite films and he is good as Joe here. I also like the casting of Graham Norton as Moonwind.
One thing that probably stopped me thoroughly enjoying this is the animation and character design, particularly when in the "Great Beyond". It's not that it looks bad, or anything close, but I just found it a bit too plain. I never felt attached to any of the characters or settings there. I did, though, enjoy the sounds and music, especially in the aforementioned afterlife area. They do do that nicely.
It's definitely a good film and one with a nice and honourable message, I just needed that something extra to enjoy it more personally. I watched a cartoon with children. Kind and deep cartoon. I liked the humor, especially when the hero's soul moved into the cat. I recommend it for family viewing
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Maze Runner: The Scorch Trials Magyar cím (Korhatár): Maze Runner: The Scorch Trials (12E) Maze Runner: The Scorch Trials Eredeti cím: Maze Runner: The Scorch Trials Maze Runner: The Scorch Trials Műfaj: Science Fiction, Action, Thriller, Adventure Játékidő / Technikai információ: – perc Maze Runner: The Scorch Trials Mozipremier : 12 December 19 6 1 Maze Runner: The Scorch Trials Forgatókönyvíró: Denise Chamian, Sanja Milkovic Hays, Wyck Godfrey, Dan Zimmerman, Jeff Carson, Ron Bartlett, Daniel T. Dorrance, Marty Bowen, Gyula Pados, Andrew Max Cahn Maze Runner: The Scorch Trials Filmstúdió: Temple Hill Entertainment, Gotham Group, TSG Entertainment, 20th Century Fox Maze Runner: The Scorch Trials szereplők : Dylan O'Brien, Ki Hong Lee, Kaya Scodelario, Thomas Brodie-Sangster, Dexter Darden, Alexander Flores, Jacob Lofland, Rosa Salazar, Giancarlo Esposito, Patricia Clarkson
Maze Runner: The Scorch Trials online film letöltés teljes streaming hd magyarul subs .hu indavideo 2015 Maze Runner: The Scorch Trials 2015 Teljes Film Online Magyarul Thomas and his fellow Gladers face their greatest challenge yet: searching for clues about the mysterious and powerful organization known as WCKD. Their journey takes them to the Scorch, a desolate landscape filled with unimaginable obstacles. Teaming up with resistance fighters, the Gladers take on WCKD’s vastly superior forces and uncover its shocking plans for them all. Maze Runner: The Scorch Trials streaming film online teljes hd Maze Runner: The Scorch Trials 2015 review It is quite an automatic instinct to compare and contrast the first installment of 2014’s ‘The Maze Runner’ with the arrival of the latest entry in director Wes Ball’s distant dystopian drama ‘Maze Runner: Scorch Trials’. The original blueprint effectively captured a unique time and place of mystique and other morbid curiosities. The audience was craftily introduced to The Glade, a head-scratching venue out in the middle of nowhere while being surrounded by a massive maze that pretty much rendered its survivors in vulnerability and uncertainty. Well, ‘Maze Runner: Scorch Trials’ looks to revisit that same kind of mystifying aura where our young and daring protagonists face the surreal obstacles in a futuristic facility that begs for the same kind of grandiose ambivalence. Sadly, ‘Scorch Trials’ is a derivative follow-up shadow of its former pronounced presentation. This formulaic fantasy fails to provide any distinctive punch or promise to its more competent predecessor.
As a post-apocalyptic Young Adult-oriented narrative ‘Maze Runner: Scorch Trials’ never really invests in its adventurous characterizations that seem to blankly react to the jittery surroundings without any genuine conviction. It certainly is not advisable to saddle a pack of imperiled individuals in a cocoon of dream-like devastation and not have them equally match the imaginative SF sensibilities of their enthralling, enveloped universe. One can speculate as to whether ‘Maze Runner: Scorch Trials’ does any justice to the James Dashner epic-driven YA novels or not. Still, there should be a sense of excitable freshness and intrigue to this eye-opening film project that comes off strangely as remote and mechanical despite the whimsical feel to its wasteland of wonderment.
Sure, some will be partially engaged in the exploits of our young harried heroes bouncing from post to post in a desolate desert known as the Scorch where unpredictable encounters with undesirable creatures and the regional elements are recounted with Ball’s simplistic by-the-dots direction. There will be your predictable share of over-the-top villains, outlandish yet awestruck special effects imagery and a centerpiece for youth-oriented romancing among the ruins. However, ‘Maze Runner: Scorch Trials’ should do a better job in whisking its viewers away in a bells-and-whistles story that should be convincingly subversive and challenging.
Back in the Maze mold madness is Glade stud Thomas (Dylan O’Brien) and his band of fellow wanderers in Theresa (Kaya Scodelario), Minho (Ki Hong Lee), Newt (Thomas Brodie-Sangster), and Frypan (Dexter Darden). The group had learned that their ‘a-MAZE-ing’ (sorry…could not resist) past experiences had been at the devilish hands of the evil paramilitary outfit known as WCKD (as in the pronounced word ‘wicked’). The head honcho of the aforementioned WCKD is none other than diabolical diva Dr. Ava Paige (Patricia Clarkson). So now Thomas and his endangered entourage (along with a few more disposable tag-a-longs) are forced to roam in the treacherous Scorch where the ominous run-ins with the resident beastly zombie Cranks are inevitable.
Of course, there are other factors working against Thomas and his Gladers. First, they must constantly hunt for their safety guaranteed in the arms of the resistance faction called The Right Hand based in mountainous terrain. Secondly, there is also the matter of an outbreak known as the Solar Flare virus that is running amok and the cure is to draw blood from those that are immune. The underhanded Janson (Aiden Gillen, from television’s ‘Game Of Thrones’) heads up the laboratory where the shifty agenda for collecting pure blood from unsuspecting hosts is hatched. So the dilemma is presented as such: should Thomas and his put-upon colleagues be the sacrificial lambs in an experimentation that could benefit the numerous lives of their exposed society?
The problem, among others, is that ‘Maze Runner: Scorch Trials’ never seems to distinguish itself among the crop of other YA-related feature films that seem collectively familiar in theme and tone. The long line of impish and impulsive fare that includes ‘The Hunger Games’ film franchise and ‘Divergent’ movie series has already saturated the movie market to the point of no return. Unfortunately, this leaves little room for error for derivative knock-off films such as ‘Maze Runner: Scorch Trials’ to not only echo the same kind of entertainment value but be considered a few notches off the scale in doing so.
T.S. Nowlin’s screenplay is shockingly synthetic and that is inexcusable for an escapist SF flick using Dashner’s colourful and descriptive tomes as its inspirational source. A few of the interesting supporting characters come and go while registering some servicing interest such as the dashing duo Jorge and Brenda (Giancarlo Esposito and Rosa Salazar) that befriend the Gladers en route to their destination for comfort and calmness. Gillen’s Janson is serviceable as the slimy opportunist blood baiter. Otherwise, the main performers that make up this cosmetic caper bring little to uplift this pseudo calculating landscape of imagined isolation and desperation. Somehow, the charismatic presence of both O’Brien’s Thomas and Scodelario’s Theresa seem watered down from the first film.
For the second time around it is kind of a tough sell for ‘Scorch Trials’ to get the obligatory mouse to chase after the cheese in this particular misplaced maze.
Maze Runner: Scorch Trials (2015)
20th Century Fox
2 hrs. 11 mins.
Starring: Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Dexter Darden, Ki Hong Lee, Patricia Clarkson, Aidan Gillen, Giancarlo Esposito, Rosa Salazar, Lilli Taylor and Barry Pepper
Critic’s rating: ** stars (out of 4 stars) > The adventure expands outside the maze to seek the answers.
Another teen movie in the mid series on the line of 'Divergent' and 'Hunger Games'. As an adult, I don't know what to expect from it, but entertainment was the priority. The first film was just an introduction that happened in a small and a single location like the film 'Cube'. Now it has outspread in a large extent with more new characters and takes a wider adventure in the wastelands.
Many doubts from the previous film were cleared, yet a few need to be clarified and hoping for the next one to do that job. But anyway the suspense was this franchise's specialty, that simply reminds us the TV series 'Lost'. This second part can be compared with plenty of other post apocalyptic films, but still I liked it better than the first.
The best thing was they retained the same director and he's going to be here for the next film as well. But I'm more interested in the prequel, I mean the fourth film than the third which brings an end to the story moving forward. Because the maze holds the key for many unresolved issues. So I'm anticipating the prequel trilogy than the current one to learn how it all began.
Surprisingly, many new additions like zombies, bounty hunters in the mainstream boosted the film with its variety. Gives us a creepy atmosphere, along thrilling running and chasing. The twist was not that great, but kind of unpredictable, and again due to the mysteries surrounding it, it created more curious about what might happen next.
6½/10 Let's get to the point. This is bad.
A dystopian future full of conspiracies in which we throw the typical ingredients thinking that, magically, would make a good movie: teenagers, zombies, a "Mad-Max"-like desert and a stupid story in which main characters and their enemies behave stupidly at every step.
Quite a forgettable one ... I believe the adage is meant to go "Ask me no questions and I tell you no lies". _Scorch Trials_ however seemed to be trialling the new "I pose you 500 questions, I tell you no answers". But there's still some interesting things to find the further the movie goes on. It lacks the cohesion of the first movie, for sure, but there's more going on, so that tracks.
_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
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Sleepy Hollow online magyarul videa online teljes filmek sub 1999 New York detective Ichabod Crane is sent to Sleepy Hollow to investigate a series of mysterious deaths in which the victims are found beheaded. Locals believe the culprit to be none other than the legendary Headless Horseman. Miért a legtöbb ember rossz nézni Sleepy Hollow? Könnyen methode nézni Sleepy Hollow teljes film online ingyen. Ez az oldal a legjobb hely nézni Sleepy Hollow interneten. Folyamatosan frissítjük listája teljes hosszúságú filmeket.
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Sleepy Hollow Magyar cím (Korhatár): Sleepy Hollow (12E) Sleepy Hollow Eredeti cím: Sleepy Hollow Sleepy Hollow Műfaj: Drama, Fantasy, Thriller, Mystery, Horror Játékidő / Technikai információ: – perc Sleepy Hollow Mozipremier : 5 March 19 0 0 Sleepy Hollow Forgatókönyvíró: Conrad L. Hall, Kevin Phipps, Francis Ford Coppola, Larry J. Franco, Rick Heinrichs, Tim Burton, Danny Elfman, Chris Lebenzon, John Dexter, Colleen Atwood Sleepy Hollow Filmstúdió: Paramount, Mandalay Pictures, American Zoetrope, Tim Burton Productions, Karol Film Productions Sleepy Hollow szereplők : Johnny Depp, Christina Ricci, Miranda Richardson, Michael Gambon, Casper Van Dien, Jeffrey Jones, Richard Griffiths, Ian McDiarmid, Michael Gough, Christopher Walken
Sleepy Hollow online filmek 1999 letöltés teljes streaming hd magyarul subs .hu indavideo Sleepy Hollow 1999 Teljes Film Online Magyarul New York detective Ichabod Crane is sent to Sleepy Hollow to investigate a series of mysterious deaths in which the victims are found beheaded. Locals believe the culprit to be none other than the legendary Headless Horseman. Sleepy Hollow streaming film online teljes hd Sleepy Hollow 1999 review et us get this over with right away. I do not think Johnny Depp was the right person for playing Ichabod Crane. Maybe I am too influenced by seeing him in Pirates of The Caribbean but I just do not think he was the right person for this role. He really did not work for me. He is to whimsical and gesticulating to be taken seriously as a scientifically inclined crime investigator as far as I am concerned.
Too bad since the story itself and the movie was quite promising. As is often the case with Tim Burton’s work the movie has quite dark tone which I quite like. The various scruffy and suspicious characters that Ichabod meets right away as he enters the village inn fits right into the eerie atmosphere.
Unfortunately Ichabod’s inclination for science clashes with the rest of the story which is undoubtedly supernatural. It makes the movie not really have a distinct direction but instead waddle with one foot in each camp. I would have preferred if the movie either had gone all science and in the end Ichabod had exposed an evil but perfectly human adversary by scientific means or if it had gone all supernatural and Ichabod was an adept at exposing (exorcising) supernatural beings rather than a scientist.
Having said that, the movie was still a decent enough evening flick and fairly enjoyable. The footage and scenery are well done as one would expect from Tim Burton. It is not exactly a special effects loaded movie but what is there is fairly okay, at least for a movie from 1999. It is you, Ichabod Crane, who is now put to the test.
Sleepy Hollow is directed by Tim Burton and co-adapted to screenplay by Andrew Kevin Walker and Kevin Yagher from the The Legend of Sleepy Hollow written by Washington Irving. It stars Johnny Depp, Christina Ricci, Miranda Richardson, Marc Pickering, Michael Gambon, Jeffrey Jones and Casper Van Dien. Music is scored by Danny Elfman and cinematography by Emmanuel Lubezki.
1799 New York, and Ichabod Crane, a timid but forward thinking detective, is sent to the way out village of Sleepy Hollow to investigate a number of decapitations.
A perfect match of director and actor to the source material, Sleepy Hollow unfolds as a fun filled creeper of such visual and aural pleasures, it's a wonder nobody thought to put the combination together earlier than 1999. Story is familiar, though with a few changes, and although some of the comedy ends up a bit sillier than is tonally appropriate (really, Ichabod, stop pushing the effeminate angle to breaking point), film runs along at a fair old clip and never wants for period devilment. It's never really scary when Walken's headless horseman isn't part of the scene, but it's very unlikely that Burton or Depp were aiming to soil underwear anyway. More a case of charming you whilst caressing the tingler on your spine. A case of style of substance? Yes, to a degree, but the source story still comes through the lavish eye candy painting to reveal itself proudly.
Burton had created a world of Gothic mysticism, a blend of Hammer horror values and Brothers Grimm bad dreams, a land of swirling mists and tall shadows, where black, red and purple are essential colours. From the quaint duck pond in the centre of the village, to a creaky old windmill, there are visual treats galore here - which are enhanced magnificently by Elfman's foreboding rumbles. Costuming is first rate (Colleen Atwood), as is Lubezki's colour lensing and Rick Heinrich's production design. The cast are led superbly by Depp and appear to be pitching performances at just the right tone, such is the director's want. Although Ricci is sadly underused in a key role, and we could have done with more Richardson since she is wonderfully catty and yummy in equal measure. But with bona fide thespian quality in the support ranks (joining Gambon and Jones are Michael Gough, Ian McDiarmid and Richard Griffiths), picture never falls short of scene enhancers.
Period peril with a glint in its eye, Sleepy Hollow is a delightful nights entertainment by the fire. 8/10 Decent watch, might watch again, and can recommend.
While Johnny Depp and Christina Ricci do carry quite a bit of the movie, there is quite a lot else going on here. The horseman does tend to dominate much of this story as the original does.
I don't feel there was much to the original fable of the Headless Horseman so pretty much any take you do on it seems fine: though maybe an Easter Bunny version would push some boundaries.
This is about as weird, but more because it has to create a weird atmosphere, then add Depp doing weirder stuff than the weird people can handle, despite believing in ghosts which he all but fights with them about. Ichabod Crane being a smart, if cowardly, constable is interesting as he literally has the "hero" role painted on him.
This is surprisingly more of a mystery than any other type of movie. The action is usually intense and brief when it happens, and much of the movie is spent looking for rational explanations until ocom's razor wins out.
This is a good movie and a decent mystery, but I do feel it's just awkward in too many cases for most people to be on board.
I expect Headless Horsemen and mystery fans to enjoy this though. _**Great Spooky Flick for the Fall Season!**_
"Sleepy Hollow" is Tim Burton's stylish 1999 take on Washington Irving's classic tale about Ichabod Crane and the Headless Horseman starring Johnny Depp as Crane and Christopher Walken as the Hessian horseman. The story is set in 1799 and involves Crane, a constable from New York City, going to the Dutch hamlet of Sleepy Hollow to investigate a series of gruesome murders where the victims are decapitated.
Whether you like Burton's films or not, who can deny his talent for visuals and overall production? This guy knows how to make a film LOOK good, that's for sure. As for Depp, he portrays sleuth Ichabod in a very human manner, e.g. he's afraid of spiders and amusingly passes out on occasion.
There are four things that really impress me about this picture besides Depp: (1) I love the spooky Fall atmosphere; it obviously takes place sometime in gloomy November. (2) I always thought the concept of the headless horseman was insipid, but "Sleepy Hollow" depicts him (it) in such a horrific/supernatural fashion that he's actually scary, not to mention skilled with weaponry and virtually unstoppable. I wouldn't want to run into him in a dark alley, or anywhere else for that matter! (3) Miranda Richardson was almost 41 at the time of filming, but -- man -- is she gorgeous! Nuff said. Christina Ricci also looks great and so does Claire Skinner in a small role. (4) "Sleepy Hollow" lacks the goofy vibe that some of Burton's films possess; the material is presented in a respectable, generally serious manner, albeit not as ultra-serious as, say, Hammer horror.
Speaking of which, "Sleepy Hollow" strikes me as a modern Hammer film more than anything else. Perhaps that's why Burton gave Christopher Lee a cameo. Needless to say, if you love Hammer (and who doesn't?) you'll appreciate "Sleepy Hollow."
The last half hour or so is packed with action so if your attention starts wandering, don't worry, it picks up big time. The plot's a whodunit and it gets kinda convoluted so you'll need to pay attention (or rewatch it). Not that you HAVE to because "Sleepy Hollow" is such a cinematic feast you can enjoy it even if the complications of the plot lose you.
There's nothing else to say except to re-emphasize that "Sleepy Hollow" is definitely the ideal spooky flick for the autumn, or any time really.
The film runs 105 minutes and was shot entirely in England with studio stuff done in Yonkers, New York.
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Wrath of Man Magyar cím (Korhatár): Wrath of Man (12E) Wrath of Man Eredeti cím: Wrath of Man Wrath of Man Műfaj: Action, Crime, Thriller Játékidő / Technikai információ: – perc Wrath of Man Mozipremier : 20 August 19 3 3 Wrath of Man Forgatókönyvíró: Guy Ritchie, Guy Ritchie, Guy Ritchie, Nicolas Boukhrief, Steve Chasman, Stephanie Collie, Stephanie Collie, James Herbert, Éric Besnard, Bill Block Wrath of Man Filmstúdió: Miramax, Metro-Goldwyn-Mayer, Toff Guy Films, Lionsgate, CAA Media Finance Wrath of Man szereplők : Jason Statham, Holt McCallany, Josh Hartnett, Eddie Marsan, Darrell D'Silva, Scott Eastwood, Jeffrey Donovan, Niamh Algar, Andy García, Babs Olusanmokun
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Some people really don't appreciate Guy Ritchie's style. His trademark fast-forward, HFR (high frame rate) type of action doesn't appeal to many viewers, and his nonlinear narrative structure is often more confusing than captivating. At least, these are the common complaints across his filmography. While I acknowledge that these attributes don't always work, I'm actually quite a fan of his filmmaking techniques. From his more recent work on Aladdin and The Gentlemen to his take on classic characters such as Sherlock Holmes and King Arthur: Legend of the Sword, I genuinely enjoy Ritchie's risky, divisive approach on the best way to tell a story.
Going in completely blind to Wrath of Man, I honestly didn't have a good feeling. I expected a generic, hollow, forgettable action flick with a main actor who everyone has seen countless times in this genre. I just hoped it would be entertaining enough for me to have a decent couple of hours in front of the TV. Well, this movie might be 2021's best surprise to date! If Zack Snyder (Zack Snyder’s Justice League) is often criticized for his excessive use of slow-motion, Ritchie receives the exact same complaints but regarding his high-speed action scenes. This time, the latter leaves his well-known characteristics aside and proves that he's not a one-trick filmmaker.
Impressively long, uncut takes - some reach the three-minute mark - help create a tremendously tense, suspenseful atmosphere throughout the entire runtime. Every scene is set up with patience and precise timing, making every single tiny movement from the camera and actors capture the audience's attention. Christopher Benstead's score is one of those examples that I will start giving people when they ask about impactful music in film. The heavy cello notes are incredibly ominous, establishing the mood of the whole environment in a way that will leave no viewer indifferent. Some of you might read the following as a critique, but the build-ups for each action scene steal the spotlight from the latter.
With that said, the shootouts and overall action are entertaining and well-filmed, which I believe will please a vast majority of spectators. Jason Statham (The Meg, Hobbs & Shaw) delivers a one-dimensional performance that would feel disappointing in any other movie, but it works for this protagonist. The main character is supposed to be mysterious and capable of anything, so it's only logical that he hides every ounce of emotion - even though it negatively affects a couple of dialogues. Furthermore, it's Jason Statham… moviegoers go see his films for his action skills, not his acting chops. When it comes to fire a gun or beat someone up, there are not that many actors who can do so as convincing as him.
Story-wise, Ritchie didn't let go of his favorite narrative structure. Nonlinear storytelling is extremely difficult to pull off perfectly due to how easily it becomes confusing or messy. Fortunately, Wrath of Man features several storylines converging all in a single moment, which quickly demonstrates what the screenwriters plan to do. A mysteriously compelling first half transitions to a more predictable, formulaic second part where one of the storylines feels both tacked on and uninteresting. The secondary characters lack any sort of arc or random development, with the focus going completely into the protagonist's mission, whatever that may be.
Wrath of Man isn't a groundbreaking, mind-blowing, or even innovative action movie, but it's still one of the biggest, best surprises of the year. While it's true that Guy Ritchie still follows the genre formulas of success, he shocks everyone by leaving his trademark filmmaking techniques aside, delivering an incredibly tense film packed with suspenseful, one-take build-ups to energetic, riveting action sequences. Jason Statham's one-dimensional display works well enough for a mysteriously captivating protagonist who the viewers can easily root for once his true goal is revealed. Christopher Benstead's score tremendously elevates the entire movie, establishing an extremely gripping atmosphere. The nonlinear storytelling features parallel narratives that are not all interesting or necessary, ending with an ironically abrupt last scene, contradicting the overall steady pacing. In the end, it's a solid recommendation to watch in theaters if possible.
Rating: B+ Huge Jason Statham fan. But despite the trailer, this movie was far from his greatest. He's his usual cool self, but the story is weak and performance from Josh Hartnett is downright embarrassing, to say the least. Holt McCallany is decent, but in general the characters come off as two-dimensional. You really don't care about them. I panicked when I saw Jeffrey Donovan, because his appearance is seldom that impressive. He was okay though, far from the one to blame for this B-movie. It's not bad, but certainly not a masterpiece either. Viewers who like action films with plenty of violence for the sake of having violence will love this movie. I can’t deny that the action grabs you by the throat and moves you along with it. Sometimes, however, it felt to me like instead of a storyboard they worked from a murderboard: “Okay, how many do we lose in this scene?” Once again I am reminded of Hitchcock. Suspense is not a bomb going off; suspense is not knowing when or if it will explode.
They took a bit of trouble to make the plot seem more intricate than it was: having maybe three flashbacks do the work of one, for example. Some of that layering of plot could have been diverted to character building and development. Only our hero is given motivation and a back story, and there are even gaps in that.
But it should be remembered that these observations are by, and for, someone who is not a fan of action films. If you are a fan, then nothing I have written here should deter you from watching Wrath of Man. **Brazen, Brutal, & BLOODY ; Smart, Sleek & STYLISH . But Was It " INSPIRING " , Uplifting Or Even " Particularly " - REMARKABLE -❓. . . I'm Afraid The Answer Is " NO ⛔ " .**
A Good, Old Fashioned - " **_B I G_** " - Screen Mini Review .
" 'Wrath Of Man' is more violent, more gritty ..than.. - Any - of my other films " . ( Director Guy Ritchie, from an official 'Entertainment Access' featurette ) . So there it is, the man himself, saying it... - Exactly - ...like it is. And "gritty" -could not- have been a more ( -Apt- ) choice of words, because if you're expecting any 'exceptionally' lavish or Mind-blowing set-pieces from this particular cinematic endeavour, then I ask you not to hold your breath, in earnest. And that is because . . . . with the ( sole ) exception of the very -fleeting- , & "solitary" , " Staples-Center 🌆 Shot " ....( that also showcases a few quintessentially 'glitter-ey' night time downtown Los Angeles high rises )... and -Is- indeed, in-all-fairness, "Dazzlingly Spectacular" from a cinematographic standpoint, atleast, ( -No- spoilers here : the said scene is proudly embellished in one of Mgm's -official- trailers ) . . . . in a nutshell ; there actually - Aren't - any .
And in as much as the "violent" part of the otherwise highly accomplished Mr. Ritchie's brief yet pointed statement is concerned, my earnest advice to you is, quite simply, as follows. Keep any and all 'minors' ( in -Your- care ) away from this 'Dark, dark, red' - Adult - crime thriller . . " And with a 13-foot pole, at that, at the very -Least- " . Digging a tad deeper . . . note that the trailer shows a -Seething- yet outwardly super-calm 'H', played by action tera-star Jason Statham just . . "blowing people away", i.e straight up -Murdering- them with his pistol, in other words , willy-nilly. Well, one might have thought that following the cold-blooded murder of his son ( -trailer, also- ) by the - 👉Exact - sort of people as himself namely, ( -potentially- ) 'Deadly', calculated, & ruthless armed robbers . . . the primary writer, Éric Besnard, might -Perhaps- have made a little -More- room for soul searching by 'H' in the story. Regrettably however, that is, to a -Large- extent, - Not - the case here .
Summation : So what is 'Wrath Of Man's' **" MORAL IMPERATIVE "** then, you ask. "Sadly...", I reply, "...for the most part, there - _IS_ - None". If you're -at all- familiar with my reviews, then you would know that I - Rarely - say that a movie is just 'Pure Commerce' ...with no -clear & present- "Inspiring" ( or even just "Redeeming" ) quality about it... but I'm afraid that in the case of this admittedly enthralling yet ultimately unremarkable picture ; I would indeed be remiss to say that, as best as I can tell atleast, that is evidently - Not - the case. A clear minded, 'Honest-to-goodness' 06.25 out of 10.00 from me - "At Best" 🤷♂️ . Wrath of man Has all any action movie needs. A plot of intrigue and mystery with a angry person looking for revenge. honestly did not expect the movie to be good but it came out brilliantly. A man just trying getting justice for what he felt is right. The movie keeps u glued and don't lose interest. Overall good movie. Solid revenge-thriller with the usual bad-ass performance from Jason Statham. Doesn't exactly have the flare of the usual Guy Richie film but little touches here and there. The pacing feels a tad off probably because it switches from H's (Statham) POV to that of the robbers who really didn't do much for me. Still, well worth checking out. **3.75/5** If you want an evil militant and criminal drama at the same time, then you will get everything at once and even more. Just consider that the "Wrath of Man" is not only about shooting and unrestrained action. If someone from friends ask me to advise a good thriller, I would recommend the "Wrath of Man" along with other movies of Guy Ritchie. Definitely Guy Ritchie's best in quite a while. Also, nice to see a director take his Disney dollars and return to making something original.
Is it a great film? Not really. But, it's really well crafted, the story is interestingly told, and it rekindles the vibe that made Ritchie the UK's version of Tarantino when he first emerged.
My only complaint isn't necessarily about this film specifically but more it's "type" by which I mean it's yet another film about a guy with a secret badass background who goes on a revenge spree. John Wick, Taken, Nobody, The Equalizer, and so many others have done the same thing. Apparently bullets don't do permanent damage to lead characters? Seriously, with the damage he takes in this film he should have spent the runtime changing a colostomy bag and being wheeled to the TV to watch cartoons while drooling down his chest. But, again, that's not unique to this film. It's kinda the standard now days. I guess when so many films seem to have the intention of being a franchise a character's mortality only becomes an issue if the actor doesn't renew their contract.
If you don't mind this issue, it's a really fun film. I enjoyed it a lot. I'm just getting tired of invincible heroes in films.
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