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Wonder Woman Magyar cím (Korhatár): Wonder Woman (12E)
Wonder Woman Eredeti cím: Wonder Woman
Wonder Woman Műfaj: Action, Adventure, Fantasy
Játékidő / Technikai információ: – perc
Wonder Woman Mozipremier : 4 July 19 1 9
Wonder Woman Forgatókönyvíró: Lucinda Syson, Charles Roven, Rupert Gregson-Williams, Lora Kennedy, Patty Jenkins, Patty Jenkins, Enzo Sisti, Martin Walsh, Lindy Hemming, James Mather
Wonder Woman Filmstúdió: Atlas Entertainment, Cruel & Unusual Films
Wonder Woman szereplők :
Gal Gadot, Chris Pine, Robin Wright, Connie Nielsen, David Thewlis, Danny Huston, Elena Anaya, Ewen Bremner, Lucy Davis, Lisa Loven Kongsli

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Wonder Woman online film teljes hd magyarul 720p subs .hu indavideo 2017 Wonder Woman 2017 Teljes Film Online Magyarul An Amazon princess comes to the world of Man in the grips of the First World War to confront the forces of evil and bring an end to human conflict. Wonder Woman streaming film online teljes hd Wonder Woman 2017 review I'd just like to thank Patty Jenkins for making a DCIThoughtSheWasWithUniverse movie that wasn't fucking garbage.

If I'm being completely honest, the two people I went to the cinema to watch _Wonder Woman_ with and I did spend the next two hours after coming out of our screening discussing the various problems with the movie, but we also all agreed on one thing: We still loved it.

Maybe it's just the rose-coloured glasses of comparison, but I had an excellent time with _Wonder Woman_, and I'm excited to go back to the cinema and watch it, at least one more time.

It's the first time I've said that about a DC movie since _The Dark Knight Rises_.

_Final rating:★★★½ - I strongly recommend you make the time._
**The First Great DCEU Film**

This film is the origin story of Diana Prince/Wonder Woman (Gal Gadot), who was first introduced in Batman v. Superman last year. She is born and trained on Themyscira, the hidden island where the powerful warrior women known as the Amazons live. One day, Steve Trevor (Chris Pine), an American World War I spy, crashes off the coast of Themyscira and is rescued by Diana and the two team up to take down Ares, the God of War, and the Germans, who are developing a very deadly form of mustard gas. There are fantastic action sequences in this film, especially by Gal Gadot. It's amazing to see her single-handedly storm the German front, inspiring the Allies to fight with her. Gadot takes over from the legendary Linda Carter and makes the role her own. She has great chemistry with Pine. They are complete equals in this film. It's refreshing to see the female lead in a superhero film not be the love interest. The only negative part of the film are the lackluster villains. Hopefully, Wonder Woman will have more formidable foes in future films.
**DC Hits A...Bunt. But compared to the strikeouts, a bunt seems impressive.**

Wonder Woman had some things working for it--things other comic book movies have faltered on. But it had a lot of things not working for it too. The result is an average median between what works and what doesn't. While the film is spectacular within the struggling DCEU, as a stand alone film it's mediocre at best.

Diana's origin story--how she came to be and how she came to be a super hero was refreshing. It showcased the world of the Amazon warriors. It was unique in the often cookie-cutter super hero origin stories. Patty Jenkins did a good job of framing it, but I think the character's origin story dating back to the comics has always been unique in comparison to other super heroes.

The result is that the first third or so of the movie is satisfying--despite dull performances from Gal Gadot and Chris Pine (who had zero chemistry as a couple). But once we leave the confines of the island and enter the real world, the movie becomes hit or miss. WWI (that's right, WWI now, not WWII. The reason for the change in setting is never apparent) London is portrayed in a way that is almost a distraction. Yes, the world isn't white washed; diversity is a thing--a wonderful thing at that. But DC's version of Captain America's Howling Commandos consist of an Arab and an American Indian. Diversity for diversity's sake becomes distracting--especially when paired with a low-rent Simon Pegg whose soul function is being a deadly sniper who never fires his weapon (that's helpful on a top-secret mission behind enemy lines).

It's almost as if the movie telegraphs all of these unnecessary plot hiccups to remind you that this is a super hero film, and no matter how much the mortal humans fail, it will all be okay because the super hero will save the day.

The dialogue can be clichéd at times, and the final theme of the movie--one of love conquering all and the acknowledgement that, overall, mankind is good, is laughable in it's amateur preachiness.

But what the film lacks in substance and script, it makes up for in the visuals. I found the action sequences to be great fun. Heavily stylized "Matrix-style" fight scenes seem right at home in a film about super hero Gods. The freeze frames worked too--as fight sequences froze in over-the-top super hero poses that harkened back to the source material's comic book roots.

The final confrontation between Wonder Woman and Ares--while dragging on a little long--was well done, being one of the few super hero movie climaxes that delivered.

While aspects of the movie were so similar (Hell! Identical!) to Captain America: The First Avenger, I actually felt embarrassed for the filmmakers, I did come away thinking this was the movie Captain America should have been. It succeeded in places where Captain America failed miserably.

The movie is entertainment--pure, fun, pop-corn-gobbling entertainment. In that realm, it succeeds and succeeds well. But as a piece of cinematic art, it falls flat on its face with too many plot holes, script inconsistencies, clichés and mediocre acting. Wonder Woman will be an important movie for both the DCEU and the summer of 2017. But it lacks the magic and staying power of Nolan and Donner's contributions to DC comics' films.
I like the portrayal of the Greek/Amazonian myth; the part where Chris Pine is naked; the part where Wonder Woman overturns the tank; and the post-battle dance scene with her and Steve Trevor, and that's it.

This could be mistaken for a mediocre, melodramatic, cheesy TV movie. Visually, it's less interesting than any of the other nu-DC fare; I never thought I'd miss Zach Snyder's sensibility but I did in this flick. Storywise, it may be a step up from the rest of the DCEU, but it still barely rivals the worst of the Marvel movies. Gal Gadot can't act, and Chris Pine couldn't make the clunky dialogue sound not ridiculous.

Wonder Woman is tolerable. That's more than can be said for the other nu-DC movies but it's not a compliment.
I quite enjoyed this movie. When I learned that Zack Snyder had his fingers in it I got a worried since he recently wrote such atrocities as Batman vs Superman and sure enough the story is a really the weakest part of the movie. A typical nonsensical, unintelligent, Hollywood story/script were you are better off putting your brain in idle when watching it.

However it makes up for this with cool special effects and, surprisingly, quite enjoyable characters. This is definitely a movie that you watch for the sake of the special effects. Well, if you are a male teenager you might also be watching it to drool over Gal Gadot of course (I have to admit that she is hot).

There is not too much to say about the plot. Our Amazon hot chick discovers that there is a war going on and goes out to stop it. Since she has been overly protected by her guardian she is amazingly clueless about life outside of her little island. Especially aspects involving men. Something which creates some funny moments as well as some embarrassingly silly ones. This, Diana’s gradual evolution where she not only is learning about life but also discovers her considerable powers, is one of the enjoyable aspects of the movie though. It is of course also one of the dummer aspects of the movie. How the f… could the Amazon Queen race Diana to be so ignorant about everything?

Another not so enjoyable part of the movie is the ludicrous scenes where the britts are trying to obtain peace at all costs as well as the stereotypical portrayal of Ludendorff as some megalomaniacal, half crazy war-mongerer. This was just dumb. I guess Zac Snyder just picked the name out of some history book without bothering to read up on the character. Typical lack of intelligence and respect, a la Hollywood, for anything outside of their, very limited, sphere of knowledge.
Well, at least Danny Huston did a pretty decent job of the shitty role he was given. So did most of the rest of actors. I definitely liked Gal Gadot as Super Woman but then, although I am not a teenager, I am still a male so maybe I am biased when it comes to her?

I definitely liked the special effects. The showdown at the end was great as far as I am concerned and the rest not bad either. They could have been even better though if it would not have been so obvious that the Germans where mostly incompetent extras waiting for Wonder Woman to show off her gymnastics and slow motion abilities. Come on, even superhero special effects should make some pretense of being “realistic” superhero special effects.

The movie is definitely aimed at the young adult segment. Unfortunately it do not seem to know what it is aiming for. Sometimes it is almost adult, sometimes it is late teen and sometimes just so bloody TV-show silly that you’re wondering if it is aiming for even pre-teens.

Anyway, regardless of its faults I did enjoy my 2+ hour spent on this movie. Enough to give it a 4 out of 5 rating
**The Amazonian princess Diana's quest-come-self-discovery!**

From all the superhero films, this was one of the most anticipated. Mainly because of the woman oriented theme. People were desperate to see the solo woman superhero. Today, we have the great visual effects technology, that anything can be possible to bring on to the screen. And actress like Gal Gadot, even better it gets. Yes, it was a wonderful film. A simple storyline, but a well made film.

The Amazonians who are cut off from the rest of the world, is preparing for the battle if Ares returns. All these years nothing has happened, but one day a fighter pilot crash on the cost of their island. Then the princess embark a journey back with him to find, and end the Ares threat forever. But she only ends up in the WWII, and what happens in the following sequence are the rest of the film.

Who would have done a better job than Patty Jenkins. She nailed it, and so set to direct the sequel too. Even the supporting cast was good. DC's visuals always high standards and so this one. Action sequences too amazing. There's lots of changes in the character, as well as in everything. Firstly a nice superhero costume. And connections like Diana's father, the island, all pretty nicely written out. The DC universe just got extended. I can't wait to see 'Justice League'.

**8/10**
***Wonder Woman and Captain Steve Trevor seek to end WW1***

Near the end of WW1, an American spy (Chris Pine) is chased by Germans to the hidden island of Amazonian women created by Zeus to protect mankind. The princess of the island (Gal Gadot) leaves with the captain to help end the Great War and destroy Ares forever.

"Wonder Woman" (2017) combines the Wonder Woman TV series (1975-1979) with elements of “All Quiet on the Western Front” (1979), "Raiders of the Lost Ark" (1981), “The Dirty Dozen” (1967), “Captain America: The First Avenger” (2011) and “Man of Steel” (2013). It’s a well done modern superhero flick and superior to both “The First Avenger” and “Man of Steel.”

The opening paradisal island sequence is good without overstaying its welcome. The story really picks up when Captain Steve Trevor and Diana depart the island. They have great chemistry and their relationship adds human interest.

Unlike “Man of Steel,” which devolved into super-beings constantly pulverizing each other in the second half, “Wonder Woman” has the poise to take its time and establish an interesting assortment of characters. The entire midsection is great, but the last act, to be expected, comes down to two super-beings pounding each other. But at least the creators tried to add a weighty moral.

The film runs 2 hours, 21 minutes.

GRADE: B
I was wrong about Gal Gadot taking the role as Diana Prince/Wonder Woman since BvS. She was not bad.
Then this film, her standalone film, really brought emphasis on female empowerment.
Such a really nice one & Gal Gadot is the perfect Wonder Woman

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Spectre online magyarul videa néz teljes 2015 A cryptic message from Bond’s past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE. Miért a legtöbb ember rossz nézni Spectre? Könnyen methode nézni Spectre teljes film online ingyen. Ez az oldal a legjobb hely nézni Spectre interneten. Folyamatosan frissítjük listája teljes hosszúságú filmeket.

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Spectre Magyar cím (Korhatár): Spectre (12E)
Spectre Eredeti cím: Spectre
Spectre Műfaj: Action, Adventure, Thriller
Játékidő / Technikai információ: – perc
Spectre Mozipremier : 2 September 19 6 3
Spectre Forgatókönyvíró: Thomas Newman, Sam Mendes, Anna Pinnock, John Logan, Dennis Gassner, Ian Fleming, Lee Smith, Bill Bernstein, Daniel Craig, Jany Temime
Spectre Filmstúdió: Columbia Pictures, Metro-Goldwyn-Mayer, Eon Productions, Sony Pictures Releasing
Spectre szereplők :
Daniel Craig, Christoph Waltz, Léa Seydoux, Ralph Fiennes, Naomie Harris, Ben Whishaw, Monica Bellucci, Dave Bautista, Andrew Scott, Rory Kinnear

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Well, cinema’s most treasured and resilient British spy guy is back as the legendary James Bond makes his twenty-fourth outing on the big screen in the highly anticipated and slickly-made Spectre. Worldwide Agent 007 fans understandably maintain their embedded expectations and vision as to what calculating and cunning mission their suave and sophisticated gun-toting, martini-sipping espionage thrill-seeker will encounter in his latest globe-trotting episode. Whatever Bond enthusiasts have in mind for the future twenty-fifth entry of the “licensed to kill” Lothario they should simply settle for the present stimulating currents that trickle as mind-bending material in the polished and percolating Spectre.

As for the dynamic performer that have served his time with action-oriented cinematic sensibilities through three previous super-charged James Bond installments, the steely-jawed and diligent Daniel Craig is back on the saddle again for his fourth stint as the crafty 007. Naturally both ardent and casual Bond followers can rattle off the filmography of Craig’s on-screen tour of duty as the debonair and daring secret service operative and even rate the previous films as they compare and contrast each edition. Some may give special attention to Craig’s first foray into stepping inside Bond’s explosive shoes for 2006’s Casino Royale that is considered a spectacular introduction for the dramatically trained actor. In 2008’s Quantum of Solace, it was a mixed bag at best as Bond followers for the most part gave this second 007 rendition an ambivalent sign of approval (not too many were thrilled with the awkward movie title either). Thankfully, 2012’s Skyfall bounced back for Craig’s take on the roguish Bond and made for some exceptional brownie points as the cagey spy returning to creative prominence. Now 2015’s Spectre hopes to make some hearty tie-ins to Craig’s past big screen adventures as the stoic jet-setting dynamo ridding the world of masterful riff raff.

In actuality, Spectre is serviceable in that it is an elaborate and excitable reminder of the preceding Bond films where bits of nostalgic elements from yesteryear are sprinkled throughout its presentation. Sure, some wily 007 fanatics may spot a few of the tossed in nods to the aforementioned Casino Royale and Quantum of Solace in particular as the proceedings unfold. For the most part, Spectre acts as a mere bridge to the launching of the upcoming 25th Bond actioner in waiting. To be fair the other Bond films have served as a welcome mat to the next chapter of the late Ian Fleming’s engaging and charismatic man of action so why should not Spectre be any different in this regard? Still, this spy caper has its signature swagger that Bond aficionados relish with familiarity: heart-pumping action sequences, exquisite locales, desirable and devious Bond women, majestic car chases, larger-than-life villains and their loyal henchmen, imaginative gadgets and inventive technology and yes…the indomitable James Bond at your service. Nevertheless. the minor knock on Spectre is that it could have risen to the occasion more than it did as it occasionally feels as if it is going through the mischievous motions. It never resorts to the levels of Bond-ish drudgery in Quantum of Solace so that certainly is a relief in that aspect.

Spectre does incorporate its share of opulence, mystery, suspense, shadowy tension and perilous plight. However, where the standard Bond film-making characteristics are somewhat consistent and captivating (i.e. the breathtaking opening sequence of the Day of the Dead celebration in Mexico City) there is also a questionable consideration for the weak-kneed Bond theme song in Sam Smith’s “Writing’s on the Wall” which seems so inadequately suited for a James Bond signature tune. Even the indifferent observers of the James Bond film franchise for the last five decades can attest to the two most important stamps of a Bond film–its opening scene and surging theme song. Thankfully, Spectre’s grand opening sequence obeys traditional Bond practices but Smith’s doggedly tired-sounding “Writing’s on the Wall” feels as it belongs attached to an old televised After School special from the mid-70s. Wouldn’t you give your kingdom for Paul McCartney and Wings’ “Live and Let Die” or Carly Simon’s “Nobody Does It Better” or perhaps even Sheena Easton’s “For Your Eyes Only”?

One thing that can be said about Craig’s Bond in Spectre and that is his image transformation has been elevated to that of a fashion plate whose GQ stylized look has taken quite a step up. Not since Roger Moore’s Bond has there been a clear case of dazzling attire on display for Agent 007 to strut his stuff in spiffy clothing accessories throughout his ventured travels. Craig, billed as a “blue-collar” Bond whose demeanor is more blunt and workman-like, takes comfort in basking in the finesse shadows of a classic Agent 007 almost foreign to his distinctive spin on the iconic spy. In fact, the overall vibe for Spectre seems to lie in the middle of old school and new school James Bond mythology where the shading suits both camps of the ever-lasting film franchise.

Director Sam Mendes, who handled the direction for the previous Skyfall, finds the right tone and temple for Spectre that certainly shows off its lavish and ambitious production values as the set designs, scenic locations, fabulous pre-credits action sequence are all indescribable in majestic scope. No one can accuse Spectre as to not holding its own in visual functionality. Wisely, Mendes does not forget his Skyfall background players as they reunite with Craig’s Bond and partake in the sensationalized cat-and-mouse caper. It is refreshing to see Ralph Fiennes back as “M” not to mention Ben Wishaw’s “Q” front and center. And a Craig-fronted Bond film would not be the same without Naomie Harris as Miss Moneypenny.

Agent 007 fans will find a common "Bond" with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinettic SPECTRE
Agent 007 fans will find a common “Bond” with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinetic SPECTRE
It is a given that the diabolical criminal network known as SPECTRE has always had its affiliation with the Bond universe especially in the classic Sean Connery Bond-age years. Instinctively, SPECTRE’s evil heart and soul was pumped continuously by that organization’s dastardly mastermind Ernst Stavro Blofeld. Oscar winner Christoph Waltz does the sordid honors of taking the reins as Bond’s nemesis Franz Oberhauser in Spectre with devilish delight and is more colorfully corrupt thanks to his handy go-to muscular minion Mr. Hinx (ex-professional WWE wrestler and “Guardians of the Galaxy” star Dave Bautista) echoing the memories of beloved brute Jaws (played by the late Richard Kiel) from The Spy Who Loved Me and Moonraker).

We can never forget that along with Agent 007 folklore comes the responsibility of being labeled a treasured Bond babe. And although the latest sultry women represented in Spectre will never make us forget the iconic likes of Dr. No’s Ursula Andress (Honey Ryder) or Casino Royale’s Eva Green (Vesper Lynd) for that matter they still hold their own and give a measure of titillation to both Bond and the vast amount of male admirers wishing they carried a gun and wore expensive tuxedos while being at the receiving end of a provocative smooch by these vibrant vixens. Lea Seydoux’s Madelene Swann and Italian siren Monica Bellucci’s Lucia are on board as the Bond bombshells for hire.

As a whole, Spectre has its up and down moments and never is quite sure about standing alone as an independent Bond story or being dismissed as a pit stop for 007-related flashbacks and reference bits ode to yesteryear’s glory of the super spy’s engaging and raging exploits. The verdict is that Spectre ultimately satisfies one’s craving for the invincible James Bond whether you can to relive his vintage reputation or look forward to a millennium-enhanced production that will grow with the ageless wonderment pertaining to Fleming’s literary ladies man-turned movie-making mainstay of action-packed cinema for half a century. As one-time Bond songbird Carly Simon would attest in her soothing lyrics, “nobody does it better…” Yet in the dimensional escapist world of James Bond this particular go-around could have been a tad bit better.

Spectre (2015)

Sony Pictures

2 hrs 28 mins.

Starring: Daniel Craig, Christoph Waltz, Lea Seydoux, Naomie Harris, Ben Whishaw, Dave Bautista, Monica Bellucci, Andrew Scott

Directed by: Sam Mendes

MPAA Rating: PG-13

Genre: Spy-Espionage Caper/Action & Adventure/Suspense Thriller

Critic’s rating: ** 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
A "correct" Bond movie. All the expected stereotypes are included, Waltz is an OK bad guy and the intro scene is something really impressive.

Nothing else really new ...
> Not your usual Bond movie, but still a good entertainer.

What I liked from a couple of last Bond movies was they were off the regular 007 style, like not overly rely on spy's special gadgets. This change has been since the day one of Daniel Craig as a famous British spy, James Bond. Anyway, he's the most fittest (muscular) Bond I've ever seen and he's celebrating 10 year anniversary with this film release. But the question is whether he to do another film or done with the franchise. The doubt after the confusing end of this film.

The end was quite clear on the story perspective, so I kind of felt it was a farewell for Craig. But, later I came to know that the official source says Bond25 will be his fifth and so on till he opts out himself. 'Spectre' was a very simple Bond movie I have ever seen, but I can say the production quality was so good that you can't resist the enjoyment. The actors, they were also good, but not as I anticipated. Maybe many scenes were very ordinary for a Bond movie, that's comparable with the nowadays action movies, otherwise it was not as bad as critics expressing their disappointment.

You can't believe what I was disappointed, you know when they say what the C stands for - is that the best word they come up with against the M for Moron? Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard. But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it. But to be honest, I enjoyed it.

7/10
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/spectre-spoiler-free-review

"Spectre fails to reach the tremendous potential of its intriguing narrative and fascinating antagonist, but Sam Mendes still pulls off a decent James Bond flick.

The screenplay raises significant issues with an incredibly dull subplot that deeply affects the pacing of a bloated runtime. In addition to this, Christoph Waltz's lack of impactful screentime is disappointing, to say the least, despite a brilliant performance from the actor.

Fortunately, the jaw-dropping action set pieces elevate the overall film, which also benefits from gorgeous cinematography (Hoyte van Hoytema) and exceptional acting across the board. Daniel Craig and Léa Seydoux's characters relationship is emotionally compelling, making Bond's mission feel more like an interesting personal journey.

One of the best movies of the franchise is buried somewhere under the messy screenplay, but what can be found at the surface has much to appreciate."

Rating: B

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Wrong Turn Magyar cím (Korhatár): Wrong Turn (12E)
Wrong Turn Eredeti cím: Wrong Turn
Wrong Turn Műfaj: Horror, Thriller
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Wrong Turn Mozipremier : 13 August 19 5 1
Wrong Turn Forgatókönyvíró: Robert Kulzer, Aaron Ryder, Don Carmody, Steve Lucescu, Deb LeFaive, Stephen Barden, Patrick Wachsberger, Erik Feig, Thomas Bartke, Thomas Bartke
Wrong Turn Filmstúdió: DCP Wrong Turn Productions, Summit Entertainment, Newmarket Capital Group, Regency Enterprises, Stan Winston Studio, Media Cooperation One, Constantin Film
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Big Mommas: Like Father, Like Son Eredeti cím: Big Mommas: Like Father, Like Son
Big Mommas: Like Father, Like Son Műfaj: Crime, Comedy, Action
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Big Mommas: Like Father, Like Son Forgatókönyvíró: Arnon Milchan, Priscilla Nedd-Friendly, David Newman, Kim Coleman, David T. Friendly, Martin Lawrence, Anthony B. Richmond, Dave Jordan, Jamal Sims, Alexa L. Fogel
Big Mommas: Like Father, Like Son Filmstúdió: Regency Enterprises, New Regency Pictures, Friendly Films (II), Runteldat Entertainment, The Collective Studios, Friendly Films Productions, 20th Century Fox
Big Mommas: Like Father, Like Son szereplők :
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Pokémon Detective Pikachu Magyar cím (Korhatár): Pokémon Detective Pikachu (12E)
Pokémon Detective Pikachu Eredeti cím: Pokémon Detective Pikachu
Pokémon Detective Pikachu Műfaj: Action, Adventure, Fantasy
Játékidő / Technikai információ: – perc
Pokémon Detective Pikachu Mozipremier : 19 April 19 5 6
Pokémon Detective Pikachu Forgatókönyvíró: John Mathieson, Nigel Phelps, Cale Boyter, Daniele Harford, Rob Letterman, Rob Letterman, Suzie Harman, Satoshi Tajiri, Satoshi Tajiri, Mary Parent
Pokémon Detective Pikachu Filmstúdió: Legendary Pictures, The Pokémon Company
Pokémon Detective Pikachu szereplők :
Ryan Reynolds, Justice Smith, Kathryn Newton, Bill Nighy, Ken Watanabe, Chris Geere, Suki Waterhouse, Josette Simon, Alejandro De Mesa, Rita Ora

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I’m going to write it straight away: I didn’t enjoy Pokémon Detective Pikachu as much as I wanted to. In some ways, it disappointed me. Now, you’re probably thinking “oh, he’s one of those people who never saw or played Pokémon in his life, and now he’s going to destroy the film because he never understood it”. Not even close. There are always three groups of people when it comes to these famous franchises that have massive fandoms: the hardcore fans who follow the respective saga since it was created and never once stopped supporting it; the fans who like or even love it, but either skipped or gave up at a certain point in time; the non-fans who never really got into it and don’t relate to any of what the previous two groups do.

I belong to the second group. I’m a fan of Pokémon, but since the end of the last decade that I stopped playing its video games and watching any series or movies about it. Nevertheless, I’m always as fair and impartial as possible to films and to the people who gave their all to deliver a great story. For hardcore fans, this movie might have everything you’ve ever wished for. Even I was able to understand that some scenes are filled (and I mean literally the whole screen) with references and Easter Eggs that the most dedicated fans will absolutely love. These moments alone can make you enjoy this film way more than fans like me.

However, we all know that while these sequences look fantastic and offer a lot of excitement, they are not enough to hold a narrative together or make it captivating. The Pokémons are gorgeous, and I found myself constantly in awe! Live-action will always have that crowd of haters that think the animated versions should stay animated, no matter what. There will always be people hating on these type of movies solely by the fact that they’re live-action. Honestly, I try very hard, but I can’t understand how people find an incredibly realistic Pikachu ugly or disgusting when it looks absolutely adorable and visually impressive. This will be such a long and exhausting debate throughout the 2020s, every time a live-action remake or adaptation is released, but I have faith people will come to accept it or even love it eventually.

Detective Pikachu main issues are the screenplay and most of the characters, no doubt about it. I understand that the production team had to shift the primary focus to the VFX regarding the actual Pokémons since a lot of the viewers will buy the ticket only to watch a beautiful real world filled with them, but the two pillars of any film should never be kept aside for too long: story and characters. Justice Smith portrays the only human character that has a compelling backstory and a likable personality. Yes, Kathryn Newton (Lucy Stevens) delivers a good performance, and she also might interpret a character that a lot of people can relate to, but from the moment Lucy has more to do in the movie, it’s like her development stagnated. However, Smith is brilliant as Tim and he showed a great range of emotions, making me not only laugh but also feel a bit emotional.

Sadly, these two are the only human characters that aren’t either a cliche villain who wants to rule the world or a paper-thin police or scientist who only serve as exposition devices. Honestly, this might be one of the most exposition-driven films of 2019. The amount of cheap and lazy information dumps spread across the runtime is too much to handle, especially when the same info is repeated several times. It unbalances the pacing and even the tone of the movie, making it dull during some periods. I’m rarely the guy who “wants more action”, but Detective Pikachu really needed more thrilling moments, preferably involving Pokémon. Of the few action sequences, most are just our protagonists running from something and jumping from cliffs. Very rarely we see actual Pokémons doing anything until the last act.

Rob Letterman shows that he has a lot of great qualities that a director should have, but he needs to work on his flaws and leave the screenwriting role to more experienced people. For such a mystery-driven story, the “mystery” part is pretty evident from the get-go, with a notable exception at the very end that I didn’t saw coming and ended the film on a high note. Pikachu is beautifully voiced by Ryan Reynolds and if you were worried that his voice wouldn’t blend with the yellow fellow, don’t be. Pikachu is extremely funny and charming, carrying the whole show on its shoulders with a little help of Psyduck. Cubone and Ditto also have some great moments, but Mewtwo is a beauty to behold, as expected. Even though I’m not a hardcore fan, I felt the “immersiveness” of the incredible Pokémon world that Warner Bros. built and that’s the best compliment I can give: I felt like I was in a real Pokémon universe.

All in all, Pokémon Detective Pikachu is fine. For hardcore fans, it might be everything you’ve ever wished for, but for fans of the 2000s Pokémon, who stopped following the franchise after the beginning of the new decade, the numerous Easter Eggs and references might not be enough to overcome the undeniable narrative issues. Justice Smith delivers an outstanding performance, and Ryan Reynolds nails Pikachu‘s voice, being extremely funny and unbelievably adorable. The CGI is ground-breaking, making the Pokémons astonishingly realistic and their world remarkably immersive. However, even if the movie ends with a terrific touch, the shallow characters, the heavy exposition dumps, and the not-that-mysterious mystery bring the pacing down and turn this live-action adaptation into just an okay one.

PS: regarding the curse of the video games cinematic adaptations, I already believe that Tomb Raider broke it with a good margin, but both Warcraft and Pokémon Detective Pikachu managed to just scratch the positive side of my reviews. You’re on the right track, but step up Hollywood!

Rating: B-
The core story is just... So dumb. And the dialogue between genuinely any two characters that doesn't involve the titular Pikachu made me **real** uncomfortable.

But I adore the world that holds it up. Watching _Detective Pikachu_ was like drinking hot chocolate by the campfire in winter. Even my roommate who had to be dragged to the thing kicking and screaming ended up having a wholesome good time.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
The movie did not have the best story, it was very much like the original Pokemon the Movie where Ash dies, in the hands of Mewtwo, just switched up a little. The animation and visual affects were really well done. There were some funny parts, although a lot of it seemed really dry.
Having never played the "Detective Pikachu" game, I can't attest as to the film's faithfulness to the source material. As a movie on its own merits and with a passing knowledge of Pokemon, I found that I enjoyed this more than I thought I would going in. It has a decent narrative structure (although the villain reveal is a little out-of-left-field; they probably could have used a little more buildup) and likable if somewhat cookie -cutter characters. But, WOW, is the tone inconsistent! Most of the movie gets surprisingly serious and dark early on, and for parts of the film Ryan Reynolds feels more like comic relief. Expect emotional whiplash from this one. Still, it's a fair movie that at least fans of Pokemon will likely enjoy.

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TRON: Legacy Eredeti cím: TRON: Legacy
TRON: Legacy Műfaj: Adventure, Action, Science Fiction
Játékidő / Technikai információ: – perc
TRON: Legacy Mozipremier : 16 February 19 3 8
TRON: Legacy Forgatókönyvíró: Christopher Boyes, Steven Lisberger, Steven Lisberger, Donald Kushner, Sarah Halley Finn, Kyrsten Mate, Heike Brandstatter, Coreen Mayrs, Michael Wilkinson, Kevin Ishioka
TRON: Legacy Filmstúdió: Revolution Sun Studios, Walt Disney Pictures, LivePlanet, Prana Studios, Sean Bailey Productions, Kontsept Film Company
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Tron's esteem may have grown in the intervening years (much the same fate as another maligned-at-the-time science fiction film, Blade Runner), but time has been mostly unkind to it; Disney attempted to stage a run of pre-LEGACY screenings of the original film, but modern audiences greeted its dated appeal as unintentionally hilarious. Frightened by the impact this might have had on their $170 million spectacle, they pulled plans for a theatrical release, and whisked the recent 25th anniversary DVD off of store shelves. And so, bereft of a childhood that contained Tron, I went into the sequel with naught but a Wikipedia plot breakdown (which was, to be honest, frustratingly informative) to fill in what turned out to be largely irrelevant narrative gaps. I say that to say that I am reviewing Legacy solely for Legacy's sake, untainted by nostalgia or high expectations.

More than two decades after the events of the first film (which, for the uninitiated, involve a computer programmer [Jeff Bridges, reprising his role] being zapped from the physical world into the computer world he created and fighting an oppressive digital tyrant within), we’re introduced to that computer programmer’s twenty-something kid, heir to his father’s tech empire and not terribly happy about it. It seems he’s still hung up on his father’s mysterious disappearance long ago, and a mysterious message leads to him discovering Dear Old Dad’s secret underground lab, where he’s accidentally zapped into the digital world as well. I’m afraid I’m not spoiling anything to go ahead and say that within he finds his trapped father, and they must fight their way back out. To give more plot details would be unfair and pointless. Suffice to say that once within the digital realm, it becomes action beat after action beat wherein our young hero rescues dad and his requisite romantic interest until the film ends.

Oh sure, there are good guys, and there are bad guys, and there’s a token stab at depth, but what does it matter? That digital world looks really cool, right? And that’s why we go. The sad truth of the matter, however, is that what looks awesome in a two-minute trailer begins to wear on the eyes when presented long-form. “The Grid” exists in three colors: neon blue, neon orange, and black. Well, two colors and an absence of color, I suppose. As nifty as this may seem, two-plus hours of this (particularly at the reduced light offered by 3D projection) robs it of interest, and the whole thing becomes a dull slog. 3D works by enhancing depth, but little to no depth is present when the film is lit and shot in such a stylized manner. To boot, only the bad guys are orange. And as our audience proxy characters are good, we’re robbed even of the contrasting orange to break up the monotony.

There are some neat sequences, of course: the initial lightcycle battle, a digital dogfight later on, etc. Garret Hedlund and Oliva Wilde are perfectly fine in their frankly bland roles, and Jeff Bridges squeezes what depth he can into his dual characters (actual Kevin Flynn and his twenty-years-younger digital duplicate, thanks to some unnerving but nifty visual trickery). The film is far from the unwatchable dreck of, say, The Chronicles of Narnia: Voyage of the Dawn Treader. It’s just...not very interesting. Techno group Daft Punk’s score was easily the best part of the film, and something I’d actually recommend picking up with no hesitations. At its best, the Daft Punk score and stylized imagery (early in the film, before it wears you down) do provide a unique and imaginative experience. It’s just one fit for the length of a music video, not a feature film.

But let’s not kid ourselves: Tron: Legacy is a flashy, ridiculous spectacle that exists solely to put pretty pictures onscreen for two hours and drive a $4+ 3D surcharge. And I say that with no judgment. Some films simply are what they are, and you’ve no more right to expect a dog to meow than to glean from them deep meditations on the human condition. The history of cinema is full of this kind of shallow but aloofly entertaining distraction. But is it wrong to want more of these kinds of films? Take Star Wars, for instance: its strength lies mainly in its revolutionary aesthetic and special effects, but it’s the characters that we remember from the film, not just how cool some set-piece looked. And Lucas isn’t even a terribly good writer; the strength of his characters came from that universal pull all great archetypes have, that ability for audience identification and empathy. Will the name Sam Flynn have the same kind of longevity? What about...uh, Oliva Wilde’s character? Apparently not, at least for me. (Note: IMDb says it’s “Quorra.”) If nostalgia for the first film is strong for you, or you’ve no qualms about paying $14+ for a mildly-distracting if uninvolving experience, go for it. Everyone else may as well save themselves the money. Maybe catch it on Blu-ray.

I should note, though, that I can honestly say 3D added nothing to the experience, so if you want to be able to actually see in The Grid, save yourself the money and hop into a 2D seat.
A massive upgrade on the first film, at least for someone like me who certainly doesn't enjoy the 1982 production.

'TRON: Legacy' is much more vibrant, developed and tangible. I actually formed a connection with the characters in this one, which is the complete opposite to the original. The special effects (bar the de-aging) are a vast improvement, which is to be expected in fairness; I love the look of this.

It's nice to get a proper view into the 'outside' lives of the protagonists, rather than receiving a tiny backstory before shoving them into the new universe; I appreciated the build-up to the eventual entry. The score is also terrific, even if it's strange hearing Daft Punk's "Outlands" due to my familiarity of it coming from Sky Sports UK's Formula 1 opening credits.

Garrett Hedlund is great in the role Sam, I enjoyed his performance from the get-go. Jeff Bridges is excellent too, I feel all the actors in general were given much more to work with in this one; I barely took notice of Bridges (& Co.) in the predecessor, but he stands out big here. Olivia Wilde and Michael Sheen are good, also. Cillian Murphy even makes a minute appearance.

It does, at least to me, feel like a very different film when compared to 'Tron', which may disappoint lovers of the latter but will be relief to opposing folk; e.g. me.

Wasn't sure what to expect from this, but thankfully it produces an entertaining time.

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Játékidő / Technikai információ: – perc
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Jolt Filmstúdió: Millennium Films, Amazon Studios, Campbell Grobman Films, Busted Shark Productions, Electric Films, Nu Boyana Film Studios
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